Catalog

This recording of the choral music of Margaret Meier features A SOCSA Quilt, which details the journey, through words and music, of survivors of childhood sexual abuse from the distressing memories of post-traumatic shock through healing and recovery. Margaret Meier received her Bachelor's degree from Eastman and her Ph.D. in composition from UCLA. She has taught at a number of universities and is currently on the faculty at Mt. San Antonio College in Walnut, California. This CD represents the core of her musical passion: music that expresses life experience and that celebrates connection to the love and care of God.

The focal work on this recording of chamber works by David Patterson is #Ferguson. Patterson lived in Ferguson, attending high school there. #Ferguson is a suite of seven scenes contrasting the innocence of his boyhood with a city that has been changed forever. Other compositions on the recording include a work for solo harp, two works for Native American flute; a work for solo piano; and a choral work. Petterson is a professor and former department chair at the University of Massachusetts Boston. He was the recipient of a Fulbright Scholars Award and the Chancellors Distinguished Teaching Award. A student of Nadia Boulanger and Olivier Messiaen in Paris, he received his PhD from Harvard. His music appears on the Vienna Modern Masters and Albany Records labels.

The Miramar Sinfonietta was founded in the spring of 2000 specifically to record the Fantasy on Two Christmas Carols in honor of what would have been the composer's 100th birthday. The group was later reassembled for the purpose of recording works by outstanding composers, mostly Americans, that have not been recorded as yet, and deserve to be heard. The chamber orchestra consists of some of the finest musicians in the Milwaukee area, all of them engaged in various professional organizations in that area. Jeani Foster is the principal flute of the Milwaukee Symphony Orchestra. William Barnewitz serves as principal horn of the Milwaukee Symphony and the Sante Fe Opera Orchestra. Samantha George is the associate concertmaster of the Milwaukee Symphony and has also been a member of the Colorado and Hartford Symphony Orchestras. Eric Segnitz is a founding member and solo violinist of the highly regarded contemporary music group, Present Music. Henri B. Pensis, founder and conductor of the Miramar Sinfonietta, was active as professor of music and conductor for a period of 30 years at the University of Wisconsin Oshkosh.

Why transcribe? The process allows more musicians to experience the magnificence of a previously inaccessible work firsthand. Most of the original elements remain. Style, tonal relationships, form and structure must not be compromised, while still being sensitive to idiomatic features of the new instrument. University of Illinois Horn Professor Kazimierz Machala has been cited by Horn Call Journal for his marvelous skills, and he has found ample new material in Schubert's beautiful songs. Besides, Schubert never wrote any pieces for solo horn, making these arrangements an absolute boon for the avid horn player and all those enthusiastic listeners for whom the horn calls! Richard King began serving as principal horn of the Cleveland Orchestra in 1997, having joined the orchestra as Associate Principal at age 20 in 1988. He is a graduate of Juilliard and Philadelphia's Curtis Institute, and his principal teacher was former Cleveland player Myron Bloom. King is on the faculty of the Cleveland Institute of Music, and as well he has served on the faculties of The Oberlin College Conservatory of Music and Carnegie-Mellon University.

Paul Neebe — soloist, orchestral musician and chamber player — performs widely in the United States and Europe. He is principal trumpet of the Roanoke Symphony Orchestra and the Wintergreen Festival Orchestra. A graduate of Juilliard and the Catholic University of America, Neebe has taught at the University of Virginia, James Madison University, Elon University and the Summer University in Bayreuth, Germany. His commitment to the commissioning and recording of contemporary American works for trumpet was the impetus for this CD. All four trumpet concertos (by Richard Cioffari, Walter Ross, Roger Petrich, and Eddie Bass) were commissioned and premiered by Mr. Neebe and represent major additions to the trumpet repertoire.

Composer and pianist Ken Benshoof was born on a Nebraska farm. He went through high school in Fairbanks, Alaska. Studies at Pacific Lutheran University and the Spokane Conservatory were followed by a two-year stint in the Army. He later attended the University of Washington, San Francisco State University and the Guildhall School in London. His most influential teachers included John Verrall, Roger Nixon, George Frederick McKay and Alfred Neiman. Primarily a composer of chamber pieces, Benshoof has received commissions from a wide variety of sources, most notably the Kronos Quartet. Benshoof's music often includes elements of folk and jazz mixed with influences from Scarlatti, Ravel, Ives, Gershwin and Rachmaninov. The composer writes, "The 24 Preludes were composed almost without interruption over several months. I chose that name partly because of the joy I still derive from sets with the same title, most notably those by Bach, Chopin and Rachmaninov. I have not intentionally borrowed material from those composers but I did steal the key relations from Chopin- his way of going through the 24 major and minor keys." Patti's Parlour Pieces were written in 2000 for the composer's friend, bookstore owner Patti McCall. This collection of pieces spans a large range of emotions, textures and tempi. There are jazzy blues sounds in pieces 1 and 5, and propulsive works like number 9. There are also pieces that would be right at home in the concert hall such as the jazzy piece No. 22 and the especially Rachmaninov-influenced No. 23.

In 1945 George Walker became the first black graduate of the renowned Curtis Institute of Music. The centerpiece of his graduation recital was the Liszt Sonata in b-minor, newly recorded here as an anniversary celebration. Along with this work are representative examples of Walker's art as a highly expressive, original composer who writes in a "tough," sinewy modern style but whose works reveal a distinct, American lyricism. George Theophilus Walker was born in Washington. His early years were notable for his performances in New York's Town Hall, and his appearances with Eugene Ormandy and the Philadelphia Orchestra in the Rachmaninov Piano Concerto No. 3. His first composition, the String Quartet No. 1, appeared in 1946 and the second movement, Lyric for Strings, is performed on this new CD. Walker has composed over 90 works for orchestra, chamber orchestra, piano, strings, voice and solo instruments. In 1996 he was the first black recipient of the Pulitzer Prize for Music for Lilacs, for Voice and Orchestra. Walker is a true American treasure, and we are proud to release this latest disc in a series devoted to his compositions and performances from the piano repertoire (these can be heard on TROY 117, 136, 154, 252, 270, 411, 523 and 697).

The art-music composer of today faces many challenges. On the one hand, one is tempted to create music that embraces a diversity of styles. On the other hand, one hopes to develop a personal language that would reflect one's artistic orientation and at the same time communicate effectively with the audience. This issue is of particular relevance to composers who grew up in non-Western cultures. Their music, to some extent, manifests their struggle to mediate between Western music and music of their own culture. Shih-Hui Chen is one example. Having grown up in Taiwan and having her basic musical training there, her works have been influenced by traditional Chinese as well as Western concert music. Over the years Chen has become adept in the compositional language of Western music. She earned a doctoral degree from Boston University while continuing her education in the United States. A prolific composer, she has written for a wide range of genres, including solo, chamber, orchestral and film music. The five works featured on this CD cover a broad span of time (1999-2003), and reflect a developing aesthetic. This music summarizes Chen's development and comes out of a desire to create works that assimilate her Chinese heritage and her training in Western art music. Like the interaction between yin and yang, these two opposing yet complementary forces continue to shape Chen's aesthetic and her music, resulting in music that explores the representation of "Chineseness" within predominantly Western compositional frameworks.

William Matthews began studying and performing music as a flutist in Springfield, Ohio, then studied composition formally at Oberlin, the University of Iowa, the Institute of Sonology and the Yale School of Music. He has taught at Bates College since 1978. His creative time is divided between acoustic and electro-acoustic compositions and both types are represented on this first recording devoted to his music.

Cuban born composer Ileana Pérez Velázquez has had her music heard in concerts and international festivals all over the world. Awarded a commission from the Fromm Music Foundation, she has written works for numerous performers and ensembles that include a Who's Who of musicians in the field of new music. Ms. Velázquez studied in Havana as well as at Dartmouth and Indiana University. She is on the faculty at Williams College. Her music appears on the Albany, Innova, and Urlicht AV labels. There are four works on this recording, which show a creator's posture facing innovation, and the relationship between humans and the totality of creation. Velázquez's music invites us to meditate on the universal problem of existence. Her music is frequently imbued with natural phenomena, culture, and the relationship established by humans with their environment. Nunc, a new music ensemble founded in 2007, performs on two of these works -- joined on the first by Nunc's director violinist Miranda Cuckson. The renowned Momenta Quartet is heard on the string quartet Alma de Guije.

Neal Gittleman writes: “The Dayton Philharmonic’s Wright Brothers Centennial Commissioning project dates back to 1997. At that point, more than five years before the actual 100th anniversary of Wilbur and Orville’s first successful powered flight, it was already clear that something big was called for. 2003 would also be the Ohio state bicentennial, the orchestra’s seventieth anniversary and the DPO’s first season in the new Benjamin and Marian Schuster Performing Arts Center. Given our commitment to the music of today, a major commissioning effort seemed the way to go, bringing to life four new medium-length pieces addressing the broad theme of the Wright Brothers. How do you do that? Easy. You find fearless composers like Bill Bolcom, Robert Xavier Rodríguez, Mike Schelle and Steve Winteregg and turn them loose. They attacked the challenge with the same vigor as Orville and Wilbur tackled the challenges of powered flight. Technical problems had to be solved. For the Wrights there were issues of wing and propeller design, inventing a control mechanism, finding a light but powerful motor and conquering the multidimensional challenges of lift, yaw and roll. For the composers, there were questions of genre, language, piece-d’occasion – or piece-for-the-ages and “How many percussionists can I have?” In the end, what made both endeavors successful was imagination and inventiveness – the imagination to envision the end result and the inventiveness to make it happen. More than anything else, this CD and the four works it contains reflect the spirit of Wilbur and Orville Wright, the greatest sons of Ohio’s great city of inventors”. Allison Janney, of The West Wing fame, was raised in Oakwood, a small suburb of Dayton. She attended Kenyon College in Ohio and landed a role in a play directed by alumnus Paul Newman. Newman’s wife, Joanne Woodward, encouraged Janney with her acting and suggested that she consider studying at New York’s Neighborhood Playhouse. She has won three Emmy awards for her work in television.

This 2-CD set features performances by the renowned Boston Musica Viva of large chamber works by Bernard Hoffer. Born in Switzerland, Hoffer came to the U.S. in 1941, studying at Eastman He was an arranger and pianist for the U.S. Army Field Band of Washington, DC for several years. He came to New York in 1962 where he worked as a freelance musician, composer, conductor, and arranger, writing extensively for films, television, and commercials for which he received several Clio Awards and Emmy nominations. This is the fifth recording of his music for Albany Records. Founded by Richard Pittman in 1969, Boston Musica Viva was the first professional ensemble in Boston devoted to contemporary music and is distinguished today as the oldest new music ensemble in the U.S. Boston Musica Viva enjoys an international reputation for innovation and excellence and has performed more than 750 works by 320 composers.

Love is what fascinates poets at all times and Broadway lyricists are often poets extra-ordinaire. Oscar Hammerstein, Stephen Sondheim, Cole Porter and so many others help us with our enjoyment of life and compel us to sing. The songs on this disc include ones we all know and some we may have heard and a few that are recent and obscure enough to be a pleasure to discover. But mostly, each of these songs is a work of art and beautifully sung by Jean Danton. Danton's artistry has led to acclaimed performances through the United States and Europe in opera, oratorio, recitals, and as a soloist with symphony orchestras. She is a favorite soloist for musical theatre and pops concerts appearing with the Boston Pops Orchestra and New England Light Opera among others and her versatility extends to jazz as well. She has several recordings on Albany Records and Newport Classics. Her television credits include documentaries for PBS and Lifetime. Collaborating with Ms. Danton are pianist Doug Hammer and drummer Steve Chaggaris.

Clarinetist Dennis Nygren has recorded a wonderful program of music written especially for him, music that he has arranged and works that have not been previously recorded on clarinet. Dr. Nygren was on the faculty at Kent State University from 1983 to 2012, receiving the Distinguished Honors Faculty Award in 2008. He has been in demand as a guest soloist, recitalist, orchestral player, chamber musician, clinician and lecturer. A graduate of Michigan State University and Northwestern University where he earned a Doctor of Music degree, he is an acknowledged expert on the clarinet music of Debussy and Berg, Nygren is also known for his arrangement of Victor Babin's Hillandale Waltzes for clarinet and wind ensemble. His arrangements on this disc include the Mozart Church Sonatas, originally scored for violins with organ continuo, the Montbrun Six Pièces and the Debussy Four Songs.

Continuing its tradition of commissioning new operas, the Houston Grand Opera gives the world premiere recording of A Coffin in Egypt by Ricky Ian Gordon. Based on Texan playwright Horton Foote's single-character play, A Coffin in Egypt possesses all of the depth and lyricism of grand opera. The libretto by Leonard Foglia and music by Ricky Ian Gordon offer the essence of opera's disarming intimacy. Set in Egypt, Texas, the triple-entendre title is of symbolic significance to believers and Bible scholars, with the final reference to a literal journey taken by Myrtle, the 90-year-old character in the opera. The emotional journey of this opera takes us through our common experiences of joy, pain and the accepting peace of forgiveness. The incomparable Frederica von Stade was lured out of retirement to take on the leading tour-de-force role.

Michael Horvit (b. 1932) is Professor of Theory and Composition at the University of Houston School of Music, where he has chaired that department since 1967. For 25 years he served as Director of Music at Temple Emanu El in Houston. During his studies at Yale, Harvard, Tanglewood and Boston University, his composition teachers included Aaron Copland, Lukas Foss, Walter Piston, Quincy Porter and Gardner Read. His works range from solo instrument and vocal works to large symphonic compositions, choral cantatas and operas, many written specifically for the Jewish liturgy. Among the numerous ensembles and organizations that have commissioned his works are the Houston ballet, the Houston Symphony, the National Symphony of Mexico, the Chicago Chamber Brass, and the Esterhazy String Quartet. He is the recipient of awards from organizations that include BMI, ASCAP, the Martha Baird Rockefeller Foundation, the National Endowment for the Arts, the Fridge Trust, and the University of Houston.

David Macbride has written numerous works, ranging from solo, chamber and orchestral music; to music for film, TV, dance and theater. Tim Page of Newsday writes: “In David Macbride’s music, one finds technical skills of a high order, a direct lyricism that informs the most complex passages, and a personal aesthetic that combines Western chromaticism with a fascination for the music of China.” Macbride is also an active pianist and co-founder, with Benjamin Toth, of Conundrum, a non-profit arts organization that presents concerts and recordings of musically diverse styles. He is on the faculty of the Hartt School, University of Hartford. About his selection of the poetry of Lorca to set to music, Macbride writes: “A composer, much like a poet, spends a lifetime trying to refine his or her voice into its essence. My music has always tried to find the silence, “a rolling silence.” In Lorca, many composers including myself have found the means to speak with their own voices. I am confident that Lorca himself, as musician, visual artist, and writer, would have been pleased to know that he created this safe haven.”

This 2-CD set presents music for piano by two of the most loved and prolific composers for that instrument who have ever lived, and who just happen to have been born the same year -- 1810. Schumann's contribution contains two of his most popular sets of character pieces, three other independent works, and the mighty Sonata in G minor, while Chopin's selections comprise one example of every single-piece genre in which he worked, including many of his greatest compositions. Pianist Findlay Cockrell, trained at Harvard and Juilliard, was on the faculty at the State University of New York at Albany for 40 years and enjoyed an active performance career as well. He shares some of his favorite repertoire with these recordings.

Andrew Earle Simpson's A Crown of Stars is a wedding oratorio celebrating the universality of human love and was commissioned by the Cantate Chamber Singers while Simpson was the ensemble's Composer-in-Residence. This is the world premiere recording. Mr. Simpson's music follows four principal threads of interest: humanistic music; music for silent films; theatrical music; and folk music. He has created a prodigious array of works for the concert and operatic stage, which have been performed throughout the U.S., Europe and South America. Russian composer Alfred Schnittke's (1934-1998) Requiem evokes vivid images, perhaps because it began as a stage work. It is based on music from a piano quintet that Schnittke dedicated to his mother just after her death.

William Mayer was born in New York City. He entered Yale with the notion of becoming a writer and graduated in 1949 with equal affinities for music and language. A tilt toward music became evident as he continued his training at Juilliard and at the Mannes College of Music, studying with Roger Sessions and Felix Salzer, and later with Otto Luening. His magnificent opera A Death in the Family, is based on two contemporary classics: James Agee's novel of the same name, and Tad Mosel's dramatic adaptation, All the Way Home. The novel was awarded the Pulitzer Prize in 1957, two years after the author's death, while Mosel's play itself received the Pulitzer Prize in 1961. Like the book, Mayer's opera had a long gestation period. Completed in 1983, the opera was given its premiere that year by the Minnesota Opera Company, with a libretto also fashioned by the composer. On that occasion, Robert Jacobson of Opera News wrote: "William Mayer's A Death in the Family should immediately become a candidate for regular airings around the country, so beautiful is it, not only in its James Agee story, but in the setting the composer-librettist has provided for it." Shortly thereafter, A Death in the Family was named best musical theater work of the year, Mayer receiving an "Award for Advancement of American Music Theater" from Hal Prince at Kennedy Center. A new production mounted by Opera Theater of Saint Louis was heard nationwide over Public Radio in 1986 with Dawn Upshaw and Jake Gardner as the principals. Yet it was not until 1999, that the opera had its New York premiere. It is this production by the Manhattan School of Music that is recorded here. The Manhattan School productions have been hailed for years, and "are generally at a level where one is rarely reminded that the performers are students," writes Allan Kozinn of The New York Times.

We lost one of the great American composers in June of 2005 when David Diamond passed away. However, we have been fortunate to have heard his Symphonies, chamber works and complete String Quartets (TROY504, 540, 613 and 727) on record over the years, yet this is the first CD devoted entirely to his songs, though he wrote nearly 100 of them. The songs range in emotion from the sweetly lyrical and wistfully elegiac to the humorously satirical and ironic, from plaintive innocence to homespun world-weariness, from mysterious enigma to heart-rending poignancy, from compassion with souls in torment to the need for humans to connect with others even though the connection may be painful, and from deceptive quasi-simplicity to unearthly and nearly orchestral passion and power. All but one are in English and encompass the full poetic gamut of human emotion and experience. Soprano Helene Williams and pianist Leonard Lehrman have collaborated on performances in Amsterdam, Paris, Germany, the United States, as well as song recitals on CD. This, their first Albany release, is a wonderful memorial to an important American composer.

Thea Musgrave (b. 1928) grew up in Scotland, but has lived in the U.S. since the early 1970s. She is renowned for her ability to create dramatic, expressive music for any musical medium, from solo works and a huge output of varied chamber music, to the large scale concertos and operas with which she made her mark. This recording explores her music for oboe that was composed over a 60 year span. Oboist Elizabeth Sullivan is on the faculty at the University of North Carolina at Charlotte. She is active as a recitalist, orchestral musician and pedagogue. Sullivan is a graduate of Stetson University and the University of Illinois at Urbana-Champaign. Her collaborators include flutist Rebecca Johnson, assistant professor at Eastern Illinois University, pianist Cara Chowning, and clarinetist Jessica Lindsey, also on the faculty at UNC Charlotte.

Gary Schocker is best known as the most published composer for the flute, but also is a world-renowned flutist. He has turned his attention to composing for solo harp, an instrument he is now playing. For this disc he has arranged 21 favorite Christmas carols for harp, performed by the ever-popular harpist Emily Mitchell. Ms. Mitchell's 30-year career includes numerous recordings, as well as performing and teaching around the world. In the words of the Washington Post, "Mitchell commands a vivid palette of colors and uses them with imagination."

Gary Schocker, best known as the most published composer of works for flute, has produced and published a dozen works for solo harp, including two books of arrangements of Christmas carols. This recording follows the release of volume 1 in 2013 — both performed by the internationally known harpist, Emily Mitchell. Mitchell's 30-year career includes her popular recordings for RCA Victor, teaching at New York University and Purchase College, master classes at major conservatories around the world, and as an established name in the television, motion picture and recording studios of New York City. A graduate of Eastman and the Royal College of Music, she is the recipient of numerous awards and prizes including First Prize at the 7th International Harp Contest in Israel. She now teaches at Stephen F. Austin State University.

The virtuoso pianist Eunbi Kim performs concert music by the exploratory artist Fred Hersch on this recording. Kim's recital and recording projects are frequently sparked by a fresh artistic obsession, and often present the audience with intimate and challenging subject matter. Her genre-defying, often interdisciplinary recitals have been presented in prestigious venues across the United States. Kim is a perfect match for Fred Hersch's music, which is known for its personal and expressive pianistic style. While this is a recording of his concert music, Hersch is also well known as an innovative pianist in jazz, being credited with more than 40 albums. He is the author of Good Things Happen Slowly: A Life In and Out of Jazz.

Settings from Pierrot Lunaire (1987-90) was commissioned by the Arnold Schoenberg Institute in honor of the 75th anniversary of Schoenberg's Pierrot Lunaire (1912). In connection with a conference at the Arnold Schoenberg Institute to celebrate the 75th anniversary, Leonard Stein, the director of the Institute conceived a project that would provide a more lasting commemoration: "The commissioning of musical settings of the other 29 poems of the Pierrot cycle not included in the original 21 of Schoenberg's work." The performing ensemble would be the same. The orchestration of Settings from Pierrot Lunaire took place over a period of five years, 1990-94. The work was recorded for this CD on October 21, 2001. Vintage Renaissance (1989) was first performed on June 10, 1989 by the Boston Pops with John Williams conducting. In the 1980s, the Boston Pops Orchestra started on a project of commissioning new works as well as special arrangements from Broadway, film and the popular music world. Among those serious composers commissioned to write new works were Peter Maxwell Davies, Oliver Knussen, Joseph Schwantner, John Adams and William Kraft. The Symphony of Sorrows was given its first performance by Gerard Schwartz and the Seattle Symphony in 1995. A Kennedy Portrait (Contextures III) was commissioned by the Boston Philharmonic Orchestra to commemorate the 25th anniversary of the death of President Kennedy. Its conductor, Ben Zander was the person who commissioned the work and gave it its first performance on November 19, 1988.

With the exception of the Ravel, trombonist Chris Buckholz has chosen a program that has rarely, if ever, been recorded on trombone. Buckholz is a virtuoso crossover artist in both classical music and jazz. He is on the faculty at the University of Northern Iowa where he received the Outstanding Teacher Award in 2010 and was the lead trombonist for the Army Jazz Ambassadors from 1997 to 2005. A graduate of Wake Forest University, Yale and the University of Michigan, Chris has played on hundreds of studio recording sessions and toured internationally. He has been a clinician at schools and universities throughout the U.S. and his recording credits include an album with The Four Tops on Motown Records.

Composer/conductor Julius P. Williams leads the Prague Radio Symphony Orchestra in a recording of works by Black composers. In addition to Williams’ compositions, there are works by the Dean of African-American composers, William Grant Still, Augustus O. Hill, and a work by Edmund Thornton Jenkins restored and arranged by his nephew Tuffus Zimbabwe. Julius P. Williams was named one of Musical America’s Top 30 Professionals of the Year in 2022. His career has taken him to musical venues around the globe and he has been involved in virtually every musical genre. He is currently Artistic Director and Conductor of the Berklee Contemporary Symphony Orchestra and was composer-in-residence with the Boston Symphony. His music has been performed by countless symphony orchestras including the New York Philharmonic. Cleveland Orchestra, and Detroit Symphony, to name but a few. His recordings appear on the Albany, Centaur, Videmus, and Naxos labels.

Hailed by the Atlanta Constitution and Journal as a "recitalist of great poise and technical security, dazzling precision and virtuosic flair," Alison Young has a diverse music career as an orchestral principal, soloist and teacher. A graduate of the Interlochen Arts Academy, she holds degrees in music from the University of Southern California and the Cleveland Institute of Music. In 1998, composer David Diamond applauded Ms. Young's interpretation of his Flute Concerto as "some of the finest flute playing I have heard." She recorded the premiere of this work which can be found on Albany TROY308. For much of her life Alison Young has felt a desire to travel to Argentina and immerse herself in that culture. In 1998, she was invited to serve a six-week performing and teaching residency in Argentina in the regions of Patagonia, La Plata, Buenos Aires, and Corrientes. She continued to share her work and study of the music with a seven-week tour of the United States in 1999 presenting recitals and master classes on Argentinean flute music. This recording represents the culmination of that particular project with a cross-section of music for flute from Argentina.

The brilliant composer/organist Carson Cooman has selected compositions for this recording that are unified by their debt to early music (most especially its modality) as well as an economy of means in their construction. All are built from simple musical materials, elaborated and developed by their composers to create compositions that inhabit musical spaces of an often spiritual character. Five American composers (Patricia Van Ness, Jim Dalton, Tim Rozema, Al Benner and Harold Stover) are featured along with Swedish composer Thomas Aberg and Slovakian native Peter Machajdík. Cooman specializes in the performance of contemporary music and more than 130 new compositions have been written for him by composers from around the world. He performs on the Organ of Our Lady in Adergas in Velesovo, Slovenia, an organ built in the Thuringian Baroque style.

Hailed as "one of the foremost performers and teachers of trumpet in the U.S.," Richard Stoelzel maintains an active career as an international soloist, chamber and orchestral musician. He began his career as solo cornet with the U.S. Coast Guard Band. As a soloist he has performed throughout the U.S. and abroad including three tours of China and has been named Distinguished Visiting Professor at the Shen Yang Conservatory of Music. This is his second recording for Albany Records.

Don Walker's fifth recording for Albany Records includes music for brass as well as four compositions for orchestra. Walker, born in 1941, is a graduate of Stanford and the University of California, Berkeley. He taught at Sonoma State, the University of South Florida, and Oregon State University. He was project archivist for the Dave Brubeck Papers at the University of the Pacific. His compositions including 10 symphonies, five operas, string quartets, songs, and many works for chamber ensembles.