Catalog

For those of us involved in Albany Records, we feel that the music of Don Gillis is really "cross-over" music - music that can indeed make the interested listener cross-over to our side of the street where those of us are found who enjoy "serious" classical music. Real "cross-over" classical music is music that can be enjoyed by all who love serious music. There ARE many sides to classical music: Schoenberg and Charles Wuorinen are one side, Beethoven and Brahms are another and Don Gillis is another. They ALL can be loved by the serious listener! American Light represents music by composers we feel are legitimate composers of lighter music or music that will appeal immediately to a larger audience. Don Gillis knew the craft. He could make an orchestra sound as good as anyone. Toscanini knew this. This is why he hired him as the arranger for his NBC Orchestra. He could create memorable tunes with the best of them; tunes that would stick with you in your mind; tunes you would want to hear over and over again. And Gillis had his own unique character more so than so many other composers. You hear a piece of music by Gillis, you know it is by Gillis from almost the first measure. Actually, this is the second volume of the music of Don Gillis on Albany Records. Volume 1 is on Albany (TROY391) and is conducted by David Alan Miller with the Albany Symphony Orchestra. If you know that volume than you know what to expect from Gillis' music. If you do not, get this volume and go back and get the first one. Happily, here is music that is infectious, music that truly belongs to the "cross-over" genre in the best sense of the word.

The Albany Symphony Orchestra has had a long association with both Francis Thorne and Robert Starer. The Orchestra commissioned Thorne's Symphony No. 7and performed the Hudson Valley Suite by Robert Starer in the early eighties shortly after it was premiered by the Hudson Valley Philharmonic. To complete this disc, there are works for brass quintet by each composer. This recording will appeal to those who enjoy contemporary American music.

The Negro Spiritual is still vibrant, popular and well-loved all over the world. The Georgia Spiritual Ensemble was formed to maintain the tradition of the Spiritual and to pass on to young singers the awesome power and beauty that is inherent in each melody. The George Spiritual Ensemble also wants to demonstrate through their performances the unyielding faith of the Africans who created these songs. The Spirituals became their voice of protest and their voice of endurance, strength, and courage.

Featuring performances by Grammy Award winners Gloria Cheng, Masumi Rostad (Pacifica Quartet) and Oto Carillo (Chicago Symphony), the four pieces on this recording are all inspired by our relation to the world, both natural and invented. The Machine Awakes is about technology and where it's leading our spirit. Seven Memorials is inspired by Maya Lin's elegy to our planet; Quark Shadows and Nebulae are about the world untouched by us. Stephen Andrew Taylor, born in 1965, teaches music at the University of Illinois, Urbana-Champaign.

Stephen Foster was a figure of contradictions: the composer was much loved by the public, but was at the same time a thoughtless husband and father. While his songs reflect a real intimacy with the antebellum South, Foster was not from the South and only once traveled into the region. Was he merely an "artless genius" who knew little about music or a well-studied craftsman? Foster was America's earliest popular and successful songwriter. Yet he died alone and penniless - not in the South, not even at his family home in Pittsburgh - but at Bellevue Hospital in New York City. While Stephen Foster's personal and business habits may have been chaotic, research has shown the man to have been a dedicated musician. Despite early biographers' description of an unschooled lightweight, the fact is that Foster carefully studied the American minstrel tradition and knew German Lieder and Irish-Scottish song literature. Foster's songs are often set for multiple voices, diverse instruments and even a cappella chorus. It is the intention of this recording to present the wealth of Foster's music - but not with a lone vocalist and accompanist from a single musical vantage point. Instead, both "classical" and "folk" musicians have gathered to sing and play on dulcimers, fiddles, accordions, pennywhistles and old pianos. Despite occasional wheezing, crunching and crackling, we hope these antique instruments - and our wonderful contemporary vocalists - will charm the listener and capture something of Stephen Foster's diverse genius that one might have experienced on a little 19th century concert stage, a street corner or on a back porch.

Stephen Parsons, professor of trombone and director of the School of Music at Illinois State University, has assembled a collection of works for trombone from the 20th century. With French, Dutch, American and Danish composers, the recording showcases some of the best music written for trombone and is a beautifully performed concert program featuring a number of world premiere recordings.

Stephen Paulus is one of our better American composers and he is one of the finest composers anywhere writing for the voice. His large vocal output includes works for solo voice, chorus (in combination with chamber ensemble and large orchestra) and four operas. The three works on this CD cover a time span of almost three years, from “All My Pretty Ones,” which was commissioned with an NEA grant in 1978, to “Artsongs” (1983), to the most recent cycle, “Bittersuite” from 1987. They represent a rich and diverse spectrum of poetical works, ranging from the words of Michael Dennis Browne for “All My Pretty Ones,” written in memory of his friend and colleague, Anne Sexton, to the seven American poets represented in “Artsongs.” Ogden Nash is the poet for “Bittersuite” and his words show a much darker side of that poet as he ruminates upon death and aging. Let me call your attention to two artists of special merit who participate in this recording. The great Swedish lyric baritone, Hakan Hagegard, is one of the most accomplished and applauded performers in the world today; that he would lend his talent to the wonderful songs of Stephen Paulus, shows the high esteem in which he holds the composer. Paul Schoenfield, the pianist, is also Paul Schoenfield the composer.

Composer Stephen Shewan (b. 1962) is a graduate of Roberts Wesleyan College and Ithaca College, and received his DMA from the Eastman School of Music. Now the director of bands at Williamsville East High School, he is active as a guest conductor, pianist, and clinician. Winner of the 2011 Choral Composition Festival at Ithaca College and recipient of the 2011 Award for Excellence and Innovation in the Arts from the College Board, Shewan has had performances of his music from orchestras and ensembles across the United States and Europe. His music has been called imaginative and infectious by critics. This disc offers a collection of his compositions for orchestra, wind ensemble, brass quintet and wind instruments, featuring sonatas for horn, trumpet, and clarinet. This is the third recording on Albany Records devoted exclusively to his music.

With Debussy's Jeux comes the notion of steps as a progression from one point to another in location, time and/or psychological state. As Debussy was a pianist-composer grappling with changing aesthetics in a time of turbulence, so Cuban-born American composer Jorge Martin is engaged in a similar pursuit today. His style is both accessible and provocative, equally using and breaking free of formal compositional technique, achieving its own unique voice. Martin and Jeanne Golan met as students at Yale University. Best known for his vocal works, Martin's first piano piece, Wand'ring Steps and Slow, was written for her. Its title comes from the last lines of Paradise Lost and suggests the loss of childlike innocence symbolized by the expulsion from Eden. Having written his first piano piece, Martin was inspired to delve into another. The Piano Fantasy on Sredni Vashtar also has a literary association. Saki wrote a tale of an orphan boy who defies a ferret he spies in his aunt's barn, to wonderfully horrific consequences. Martin turned this tale into an opera in 1992. He has reworked some of its music into the Piano Fantasy.

Steve Margoshes is the composer of the international hit musical Fame. The inspirational musical about New York City's High School of Performing Arts (written with lyricist Jacques Levy) has been performed on every continent in the world in many languages. This CD continues Steve's collaboration with Fame creator, David De Silva, to produce a new body of work for symphony orchestra. He has composed and orchestrated these "symphonic pop" pieces under the banner Symphonic Fame. Steve's work as an orchestrator in the theater includes The Who's Tommy, Smokey Joe's CafT (the songs of Leiber and Stoller), the Elton John/Tim Rice musical, Aida, and the Boy George musical, Taboo. The Romantic Suite from Fame - The Musical features the lyric and ballad side of Fame. The Dream Symphony (for piano and orchestra) is inspired by the idea of a youthful dance company performing a contemporary version of Shakespeare's A Midsummer Night's Dream. Ballade for Trumpet is an uplifting and romantic melody developed in a free-form style. It is performed by Gyorgy Geiger, Hungary's most respected trumpet soloist. This is Forever is inspired by Mildred Cram's novella, Forever (1935). In Search of Hidden Treasure is a Symphonic Adventure inspired by Paolo Coelho's enchanting novel, The Alchemist.

di.vi.sion is an active and driven chamber ensemble that collaborates with composers who inspire them. Drawing from its 35 musicians, they curate a chamber series in the Bronx and around the New York metropolitan area. di.vi.sion regularly premieres new works by American composers and this recording, featuring premieres by Steven Burke, is one example of their commitment to contemporary music. Originally dividing his time at university between science and music, he turned to composition and studied at Sarah Lawrence, the University of Wisconsin-Madison, Yale and Cornell. He has won recognition from the American Academy of Arts and Letters as well as fellowships and prizes. His music has been performed by distinguished ensembles including the Los Angeles Philharmonic, National Symphony Orchestra, and Eastman Wind Ensemble, among many others. Performers on this recording include Renée Cometa Briggs, Matt Goeke, and Donald Mokrynski, all of whom enjoy distinguished careers.

Born in 1948, composer/pianist Steven R. Gerber studied at Haverford College and Princeton. His music has been performed by orchestras and ensembles across the United States, including the San Francisco Symphony, the National Philharmonic Orchestra, and the Louisville Orchestra. His music is especially popular in Russia and the Ukraine where there have been dozens of performances of his orchestral, solo and chamber works. His music appears on the Chandos, Naxos, Koch and Arabesque labels. This recording includes almost all of his solo piano music performed in reverse chronological order, interspersed with a riveting performance of his Duo for violin and piano by Gregory Fulkerson and Jennifer Rinehart.

Jason Calloway of the Amernet Quartet says that "The string quartets of Steven R. Gerber represent a deeply personal testament for the composer himself while serving as a spiritual bridge to us as performers " His first three quartets span the period of 1973 to 1988 and offer a glimpse into the transitional period of his musical development. His last quartet, composed for the Amernet in 2012, shows his evolution to a unique brand of polystylism. Steven Gerber (1948-2015) held degrees from Haverford College and Princeton. His music has been performed by noted orchestras and chamber ensembles around the world and recordings of his music appear on Opus One, CRI, Naxos, and Albany Records. The Amernet Quartet has garnered international recognition as one of today's exceptional string quartets. They have performed throughout the Americas, Asia, Europe, and the Middle East.

Three string quartets by the distinguished American composer Steven R. Gerber as well as a Fantasy, Fugue, and Chaconne are performed by the Amernet String Quartet. Praised for their "intelligence" and "immensely satisfying" playing by the New York Times, the Amernet has garnered recognition as one of today's exceptional string quartets. They are Ensemble-in-Residence at Florida International University in Miami. Gerber's String Quartet #4 was written in 1972 for the Fine Arts Quartet; #5 in 1995 for the Carpe Diem Quartet; and #6 in 2011 for the Amernet String Quartet. The Fantasy, Fugue, and Chaconne was written in 2007. In addition to this recording, Albany Records has released a recording of Gerber's piano music. Other recordings of his music appear on the Naxos, Arabesque, Chandos, and Koch International record labels.

Saxophone virtuoso Noah Getz explains: "Still Life represents a snapshot of the music that I have been performing and enjoying over the last several years. This recording is an eclectic mix of works, most of which were written for me, from a number of trusted composer friends and colleagues." Based in Washington, DC, Noah Getz has performed at major venues throughout the United States. He has commissioned and premiered numerous works for the saxophone, including collaborations with Aaron Jay Kernis and Lewis Spratlan. He maintains an active schedule performing jazz as well as presenting masterclasses, recitals and lectures at universities across the country. He is the Saxophone Musician-in-Residence at American University.

Dr. Harvey J. Stokes is professor of music at Hampton University, and founder and director of the Computer Music Laboratory. His degrees are from Michigan State University, the University of Georgia and East Carolina University. He writes about this music: "One of several pinnacles in my creative career has been the composition of a trilogy of works for the Oxford String Quartet. My String Quartet No. 1 was commissioned by this ensemble and completed during the fall of 1990 in Hampton, Virginia. Since its premiere in 1991, it has been performed many times by them to great acclaim. Due to the success of this work, I decided to dedicate two additional compositions to the Oxford String Quartet. String Quartet No. 2 and String Quartet No. 3 were completed in 1992 and 1995 respectively. String Quartet No. 3 was premiered in 1996 on a concert celebrating the 50th anniversary of the founding of the Oxford String Quartet, and String Quartet No. 2 was premiered later that year during a concert tour of Argentina by the ensemble." In the Oxford String Quartet innovation and tradition come together. The Cleveland Plain Dealer raves about "vibrant, spell- binding strings...first class from top to bottom...who interacted with a corporate sense of articulation, balance and nuance provided by only the most astute Chamber players."

Violinist Airi Yoshioka's curiosity in the electro-acoustic medium led her to commission works from five composers -- part of the seven breathtaking works that are all given their world-premiere performances on this recording. The program exhibits a wide range of contemporary styles and reveals a diverse culture of American women composers productive in the electro-acoustic music. Airi Yoshioka has concertized throughout the United States, Europe, Asia, and Canada as a recitalist, soloist and chamber musician. Deeply committed to chamber music, she is the founding member of the Damocles Trio and Modigliani Quartet and has performed and recorded with the members of the Emerson, Brentano and Arditti Quartets. She has premiered dozens of works and continues to build repertoire for violin through her numerous commissions. A graduate of Yale and Juilliard, Ms. Yoshioka is associate professor of violin at the University of Maryland.

Oboist Dan Willett can't resist transcribing works written for other instruments for the oboe and this recording is a testament to not only his transcription abilities but also to his fine performances of repertoire not originally intended for oboe. Three works by Mozart, Grieg, and Prokofiev make up this recording — the Mozart and Grieg originally written for violin and the Prokofiev for flute. Willett is a professor at the University of Missouri School of Music. In addition to frequent solo and chamber recitals, Willett has performed with numerous orchestras and at festivals. His collaborator is Natalia Bolshakova, who enjoys and active performing career.

Martin Herman composed his Arena in 1990-91. Herman has worked at IRCAM with Pierre Boulez and in Iannis Xenakis' studio. He is currently on the faculty of California State University, Long Beach, where he teaches music composition and theory and directs the Computer and Electronic Music Studio. Augusta Read Thomas' coolly austere Whites resulted from the composer's desire to make a sonic equivalent of a visual exploration of white. Stephen Jaffe composed his Impromptu in 1987. It is a short set of variations based on a bluesy pavanne and was composed for a 70th birthday concert in honor of George Rochberg. Jaffe is currently on the faculty of Duke University where he directs the concert series "encounters with the Music of Our Time." According to the composer Randall Woolf, the hard-driving Nobody Move "tries to find the common ground between the menace of the hard-core Hollywood villain and the fearless bravado of the virtuoso pianist, with the audience as helpless victim, too frightened to bat an eye." John Harbison won the Pulitzer Prize for Music in 1987. His Four Occasional Pieces were written over a ten year period between larger, more serious works. Today he holds an endowed professorship at the Massachusetts Institute of Technology. Robert Kyr's White Tigers is based on a legend found in Maxine Hong Kingston's novel "The Woman Warrior" in which a young girl learns the ways of a woman warrior in part by emulating a white tiger - the wildest, most mysterious beast in the jungle - and goes on to liberate her people from oppression.

A student of Mario Davidovsky, Jacob Druckman and William Thomas McKinley, Meira Warshauer has devoted much of her creative output to Jewish themes and their universal message. As she writes, “The Torah, Jewish teaching and tradition, is likened to water. It is the source of blessing and goodness, filling all who drink from its well with the knowledge of God. I hope this recording will help to satisfy our thirst and encourage us to continue opening our hearts to the Eternal Spirit in each of us.”

This recording is taken from live performances of the distinguished Sinfonietta of Riverdale and includes works by American composers Karel Husa and Steven Stucky as well as works by Samuel Coleridge-Taylor, Edward Elgar, and Anton Bruckner. Large enough to perform chamber symphonies, it is also small enough that each of its world class musicians is a featured soloist. Their recordings are on the Arabesque and Albany labels. Conductor Mark Mandarano enjoys an international career as a conductor that has included performances at Carnegie Hall, Lincoln Center and other major venues in the U.S. and abroad. He has served as principal guest conductor of the Moscow Chamber Orchestra, and is now director of the Macalester Symphony Orchestra and artistic director of the Minnesota Youth Symphonies.

Composer David Gompper has lived and worked professionally as a pianist, conductor, and composer in New York, San Diego, London, Nigeria, Michigan, Texas, and Iowa. He studied at the Royal College of Music, and the University of Michigan. Since 1991 he has been Professor of Composition and Director of the Center for New Music at the University of Iowa. His many awards include an Academy Award from the American Academy of Arts and Letters in New York City, and a Fromm Commission. Recordings of his music appear on the Albany and Naxos record labels. He has chosen recent chamber music written for string instruments for this recording, which are given stellar performances by violinist Wolfgang David, cellist Hannah Holman, double bass player Volkan Orhon, and pianists Réne Lecuona and David Gompper.

A student of Lukas Foss and Lejaren Hiller, Horwood writes music with an individual stamp, drawing from academic or popular styles, or ranging from Romantic yearnings to avant-garde experimentation. Born in Buffalo, Horwood studied composition and theory at the State University of New York at Buffalo. From 1972-2003 he was a professor of music and humanities at Humber College of applied Arts and Technology in Toronto. His more than 70 compositions constitute a kaleidoscope of the traditional and the avant-garde. His music has been performed in North America, Europe and Japan. The four orchestral works on this CD provide a concert program revealing a composer of substantial musical thought.

This is a world premiere recording of Lee Hoiby's 1971 two-act opera, with libretto by Lanford Wilson, based on the play by Tennessee Williams. Lee Hoiby, who died on April 8, 2011, was best known as a composer of operas and songs, although he was a child prodigy as a pianist, studying at the University of Wisconsin with Gunnar Johansen and Egon Petri. But on the verge of a career as a concert pianist, he received a scholarship to study composition with Gian Carlo Menotti. His immense contribution to American music, particularly opera and song repertoire is recognized by American singers everywhere. His style is an elegant and unobvious bridging of the lyrical works of Verdi and Gershwin.

This 2-CD set honors the life and career of Charles Bestor with a selection of his late chamber music. Bestor (1924-2016) studied at Yale with Paul Hindemith after returning from service in World War II; then at Juilliard where he was a student of Vincent Persichetti and Peter Mennin. Bestor worked as a jazz arranger to supplement his income as a composer but turned to teaching. He taught at the University of Colorado; Juilliard; was Dean of the College of Music of Willamette University; but his longest tenure (35 years) was as Head of the Departments of Music and Dance at the University of Massachusetts. He continued to compose, tending toward shorter works because of time constraints. The compositions on this recording include song cycles; a suite for saxophone and piano; a cello sonata; a work for chamber ensemble; and a work for narrator and piano.

Joshua Rosenblum has composed extensively for both the concert hall and the theater. In addition to the works on this CD, he has written pieces on commission for trumpeter Philip Smith of the New York Philharmonic, flutist Kathleen Nester of the New Jersey Symphony and for French hornist Eric Ruske, one of Albany's premiere artists. For the theater, Rosenblum wrote the score for the acclaimed cult hit Off-Broadway musical, Fermat's Last Tango. He has also conducted the orchestras for such Broadway shows as Miss Saigon, Wonderful Town and How the Grinch Stole Christmas. The works on this disc are a melding of both classical and popular idioms, with many inspired by or commissioned from several of the musicians involved.

In his introduction, pianist Agustin Muriago says that “This recording showcases Argentine composers from different backgrounds and time periods whose works are rooted in folk music. Most of these composers combined a Eurocentric musical tradition with Argentine folk music, producing stylized versions of milongas, tangos, and vidalas…” Agustin Muriago has presented recitals featuring Latin-American music at festivals in Hong Kong, New York, the Sonus International Music Festival and the Latin American Music Center, among others and offered recitals, lectures, and master classes in China, Chile, Brazil, and the U.S. A graduate of The Hartt School, New York University, and Rowan University, he now serves on the faculty at the Peabody Institute of the John Hopkins University.

The University of Houston Percussion Ensemble serves as the cornerstone of the Department of Percussion studies at the University's Moores School of Music. Established in 1997 and directed by Dr. Blake Wilkins, the Ensemble has steadily gained recognition throughout the state of Texas through appearances on campus and in public schools. The group achieved further distinction when it performed at the 2002 Texas Music Educator's Convention. Their selection as Winner in the 2003 Percussive Arts Society Percussion Ensemble Competition and its appearance at the 2003 Percussive Arts International Convention has secured its reputation internationally as a leader in percussion performance. Since its inception, the Ensemble has given the world or U.S. premieres of a number of new works. In the fall of 2002 it also initiated its Commissioning Project to encourage new works for the medium. Two of the works on this new disc, Donald Grantham's Houston Strokes and Rob Smith's Surge were among the first in this series. Percussion music has proven over the years to be phenomenally popular with performers as well as listeners. This release is an exceptional addition to the catalog; and wait until you hear Vaughan-Williams' Thomas Tallis Fantasia arranged for five marimbas and two vibraphones!

Inspired by Virgil's Aeneid, the three works comprising Gates of Silence are connected but independent. Each is a passage that echoes with relevance today — our fallen cities, our physical passages and in our personal interactions with each other and our destinies. The third piece, Dido Refuses to Speak, sets poetry by National Book Award finalist, Linda Gregerson. As a composer and performer, Susan Botti's eclectic background and experiences are reflected in her music. Theatre and the visual arts play a formative role in the aesthetic of her work, which have encompassed traditional, improvisational and non-classical composition and singing styles. A recipient of numerous grants and awards, Botti specializes in the performance of contemporary music by composers of diverse styles, in addition to her own works. She studied at the Berklee School of Music and the Manhattan School of Music, where she currently is on the composition faculty.

Victor Herbert conducted the first performance of his delightful two-act operetta Sweethearts in Baltimore, after which the show was overhauled and shortened before spending five weeks in Philadelphia and another five in Boston. Anticipation of the New York premiere of the work (on September 8, 1913 at the New Amsterdam Theater) was heightened by advertisements proclaiming that Christine MacDonald (whose name was printed in larger type than Herbert's) would be the star.

Will Marion Cook was one of the earliest African-American composers to achieve significant commercial success in musical theater. However, even though his talents were admired at the turn of the twentieth century, he and his work have since been largely forgotten. With the interest in African-American culture sparked by the Civil Rights Movement of the 1960s, and revived interest in all American music during the Bicentennial celebrations of the 1970s, Cook has been rediscovered by such music historians as Thomas L. Riis and Marva Griffin Carter, as well as by such performers as the Black Music Repertory Ensemble of the Center for Black Music Research and, of course, tenor William Brown, who had previously recorded some of Cook's songs on the album Fi-yer! (TROY329). Having studied with Joseph Joachim in Berlin and Antonin Dvorak in New York City, Cook was respected for his pioneering achievements in popular songwriting, Black musical comedies and syncopated orchestral music. His career as a songwriter spanned some 40 years from 1893 to 1934. Cook's memoirs reveal that he believed his ultimate challenge was to right social injustice while at the same time creating beautiful music. Renowned tenor William Brown's repertoire encompassed practically all musical genres. He was a particularly avid performer of American music from all ages and had appeared with major orchestras and ensembles all over the world. Sadly, Mr. Brown died shortly after this recording was made. This CD is a tribute to the memories of both Cook and Brown.

Distinguished composer Adolphus Hailstork studied at Michigan State University, the Manhattan School of Music, Howard University, and the American Institute at Fontainebleau. He has written numerous works for chorus, solo voice, piano, organ, chamber ensembles, band, and orchestra. His music has been performed by orchestras around the country and he has received commissions from performing organizations such as the Cincinnati Opera, the Houston Choral Society, and the Atlanta Festival, among many others. He is on the faculty at Old Dominion University. This recording, his fifth for Albany Records, concentrates on music for strings and includes a trio as well as works for string quartet. The Ambrosia Quartet (Simlon Lapointe and Mayu Cipriano, violin; Beverly Kane Baker, viola; and Rebecca Gilmore, cello) are all members of the Virginia Symphony Orchestra and have been performing as a quartet for more than a decade both in Virginia and around the United States.