Catalog

Scott Sandberg performs a concert of works for tenor saxophone and piano ranging from new works by Catherine McMichael, to music by French and American composers written in the 1970s and 1980s. Sandberg is on the faculty at the University of North Dakota and maintains an active schedule as a performer, clinician, and adjudicator. He has toured China three times, including performing as a featured soloist with the East China Normal University Orchestra and is a regular performer at the North American Saxophone Alliance Conferences and International Saxophone Symposiums. He is a graduate of the University of North Dakota and the University of Iowa. He has presented clinics at the North Dakota Music Educators Association, the Northeast Texas Saxophone Symposium, and numerous universities and high schools.

Let Evening Come: American Songs Old and New collects the songs of three American composers, stretching across time and a variety of styles. The early 20th-century pianist Frank La Forge was an accompanist to the greatest singers of his era, but also found time to write beautiful and effective art songs for his collaborators to perform in concert. Robert Spillman is a modern counterpart to La Forge, having worked for years as a pianist and opera conductor before returning to composition in retirement. His songs lie at the heart of this disc, capturing the inspiration of an intriguing group of poets. From the nature-inspired ruminations of Sara Teasdale and Jane Kenyon to the comic world of Alice N. Persons, Spillman's songs are moving, and in some cases, sly and amusing. Well-known opera and song composer Lori Laitman is represented by two stirring arias from her 2016 opera The Scarlet Letter.

This is a recording of five cantatas written by 20th century Latvian composers, some of whom grew up outside of Latvia, while othrs lived under the Soviet regime. From the forced emigration of 1944 up until 1988, when the Iron Curtain started to collapse, composers living outside Latvia were omitted from the music history books of the Soviet Union. They were treated as invisible, despite the fact that for more than 40 years they created a significant number of important works. After Latvia regained its independence, there was an opportunity to introduce these works to Latvian audiences. The music on this recording was written beteen 1960 and 1980, at a time when Latvians around the world, although in foreign lands, felt open and free, but Latvians living in their homeland felt oppressed and morally humiliated. In addition to the four cantatas composed by Latvians living outside Latvia, the work of Imants Kalnins, who was living in Latvia, is included as it was composed at a time when the stirrings of overcoming the Soviet Union were in the air.

The Atlanta Chamber Winds is the premiere ensemble of its type in the Southeastern United States. Founded by Robert J. Ambrose in 2006, the group comprises many of the finest professional wind players in Atlanta. The ensemble is committed to promoting and recording lesser-known works for the chamber wind medium, as demonstrated by this recording of 20th and 21st century works by composers Robert Spittal, Leslie Bassett, Tim Jansa, Esther W. Ballou, Daniel Pinkham, and Ezra Laderman. The compositions range from an octet for winds to a double woodwind quintet, to a wind sextet and a wind trio.

This recording emerged from a series of personal Scottish connections of tenor Justin Vickers; his Scottish heritage; his collaboration with Scottish pianist Geoffrey Duce; and his scholarly work with Jennifer Oates on the composer Hamish MacCunn. The first recording of MacCunn's Cycle of Six Love-Lyrics, is paired with a selection of his other songs, along with works by Scottish composer Judith Weir, and Britten's cycles set to the poetry of Robert Burns. Justin Vickers has a distinguished career as a recitalist, opera singer, chamber musician, and educator. He is on the faculty of Illinois State University, Normal. His collaborator Gretchen Church is on the faculty at Illinois Wesleyan University at Bloomington. Pianist Geoffrey Duce is on the faculty at Illinois State University.

This recording of works for strings by women composers includes two works for string trio by Victoria Bond and Julie Mandel; a work for solo cello and two works for violin duo by Rain Worthington; and a composition for violin and cello by Adrienne Albert. The performers include Anna Cromwell, assistant professor of violin and viola and the University of Wisconsin at Stevens Point; Lisa Nelson, who is instructional professor of viola, violin, and string pedagogy at Illinois Wesleyan University; and Mira Frisch, associate professor of cello and director of string chamber music at the university of North Carolina at Charlotte. Both Anna Cromwell and Mira Frisch appear on Albany Records performing as a violin/cello duo.

As African Americans commemorate 400 years of Afrcans in America, the presence of the Negro Spritual remains a strong symbol and a significant tool through which Africans made their voices heard throughout these years of struggle. This CD is a compilation of many of these Spirituals, releases previously on Albany Records, which still stand strong even in today's world where in many instances it seems as if time has stood stil and the need for these precious gems still toll the bells of freedom. Bass-baritone Oral Moses performs regularly throughout the United States and Europe singing oratorio and recitals with special emphasis on a wide variety of Negro Spirituals and art song repertoire by African-American composers.

This recording covers more than 60 years of compositions and contains some of the very best French music for bassoon and piano. All but two of the composers were born in France and the two that were not (Tansman and Mihalovici) were profoundly influenced by French music and lived the majority of their lives in France. Bassooist Timothy McGovern is on the faculty at the University of Illinois, in addition to serviing as principal basson of the Illinois Symphony Orchestra, Illinois Chamber Orchestra, Champaign-Urbana Sympony Orchestra, as well as being a member of the Prairie Winds Woodwind Quintet. The receipient of numerous awards and honors, McGovern's discography includes more than 30 recordings of orchestral, chamber music, and solo repertoire. Pianist Cara Chowning is on the faculty at Ball State University and has a very active career as a pianist and music director.

This live recording of the Atlanta Music Festival 2016 comprises a unique combination of music, literature, and history, addressing the African American journey from slavery to an as yet unachieved dream of a "more perfect union." Beginning with Atlanta school children singing Lift Every Voice and Sing, the CD proceeds with music and spoken dialogue extolling "liberty and justice for all" through the words of Barack Obama, James Dickey, Robert Kennedy, Lyndon B. Johnson, Martin Luther King, Jr., and Langston Hughes. Of special note are the performances of the beloved Jessye Norman singing songs by Duke Ellington and spirituals. The Atlanta Music Festival has its origins in the Atlanta Colored Music Festival, begun in 1910, four years after the Atlanta race riots, by Rev. Henry Hugh Proctor to promote racial reconciliation through the arts.

Trio Accento (Limor Toren-Immerman (violin); Garik Terzian (cello); Nora Chiang Wrobel (piano) is known for its advocacy of contemporary compositions. This recording features five varied works, one of which was commissioned by the ensemble. All three members of Trio Accento have distinguished performing and teaching careers and as a trio have performed to critical acclaim. Jeff Beal's Almost Morning is a dance work composed for choreographer Claudia Schreier. Russell Steinberg's Paleface was inspired by the acclaimed paintings of "psychological pop" artist Jerry Kearns, while Gernot Wolfgang's Jazz and Cocktails was inspired by the goings-on of an imaginary cocktail party. Juhi Bansal's Wings evokes a day in the montains and the image of a solitary bird flying through a rain-filled sky. Kenneth Froehlich's Polarized is a study of contrasts, conceived as a response to our ever-increasing polzarized society.

War & Peace is a video production released in Blu-Ray format and conceived as a total entertainment concept. The production combines artistic resources from other cultures with advancing techinologies in order to create music that impacts our senses in a manner seldom achieved before. Art, dancing, music, western and eastern cultures all combine to push the boundaries of musical entertainment by using new combinations of musical instruments, new multicultural art direction and new dance styles. War & Peace provides an entirely different visual and auditory impact to the audience. Entertaining sounds and rhythms, beautiful and meaningful visual imagery, and culturally diverse creative expressions are the hallmarks of War & Peace.

Composer/pianist Grigor Khachatryan is an Armenian-American who was born and raised in the post-Soviet Union Armenia. He was taught from childhood that life holds no meaning without freedom. Both of his piano sonatas are based on stories that honor men and women who have given their lives to preserve human freedom and elevate the value of human life. Khachatryan came to the United States as a teenager, living in Bedford, Indiana where he finished high school, taking piano lessons at Indiana University at the same time. He went on to do his undergraduate and graduate work there, completing a Doctorate degree in Piano Performance. A winner of many awards and competitions, Khachatryan is active as a concert artist and composer. He is on the faculty at Concordia College, Moorhead.

Don Walker's esthetic stems from the example of Charles Ives. Like Ives, Walker prefers to embrace all styles, as long as they produce music that is original, expressive, and involving for the listener. Many of the works on this recording date from the 1980s. During this time, Walker was often influenced by the Post Modern esthetic, which seemed to be taking over from Serialism and Chance Music. The music is lyrical, tonal, and often manifests jazz and world music influences. This is Walker's fourth recording for Albany Records.

Violinist Martha Walvoord and double bass player Jack Unzicker are both on the faculty at the University of Texas at Arlington with notable performing and teaching careers. This recording of new works for violin and double bass has as its centerpiece Michael Daugherty's The Diaries of Adam and Eve. The work was inspired by a novella of the same name by Mark Twain, which was published in 1906. Divided into seven movements, the music animates Twain's witty reimagining of the biblical tale of the first woman and man to inhabit the earth and the Garden of Eden. Other works written by George B, Chave, Andrea Clearfield, Tom Knific, and Daniel M. Cavanagh round out this program of new music for this unusual ensemble.

Ori Barel is an inquisitive composer who works in a variety of mediums and styles. Barel works extensively with electronics, specializing in both electro-acoustic and electronic music. His electronic works combine algorithmic technique with an intuitie musical approach. He is a graduate of UCLA, the California Institute of the Arts and the University of California. Centrifugal Force is inspired primarily by robotic art. Barel has created a piece that explores aspects of our culture using elements of traditional and free jazz as well as silent film music, culminating in a musical fusion of today's technological world with pieces of the past. The use of a player piano means that rhythms and tempos can be used that would be impossible to be played accurately by a performer.

Heidi Louise Williams performs piano sonatas by American composers with the oldest work written in 1919 and the most recent in 1991. Charles Tomlinson Griffes, George Walker, Carlisle Floyd, and Samuel Barber all used their art to explore imponderable realities that could be more fully accessed within the realm of music. These artists absorbed a variety of musical languages into their own, foreshadowing, in many cases, the postmodernist aesthetic of stylistic coexistence. From Walker's inclusion of folk tunes to Barber's gripping sincerity, from Floyd's devotion to human narratives to Griffes' persuasive fusion of styles, these works rely in some way or another on the power of human empathy, nobly representing the United States as an essentially diverse nation. Praised by critics, pianist Heidi Louise Williams has appeared in solo and collaborative performances across North America and internationally, having won numerous awards. A graduate of Peabody, she is on the faculty at Florida State University. This is her second solo album for Albany Records.

This recording features six chamber works by Donald Reid Womack combining East Asian and Western string instruments. Intertwined, the title of this album, offers just the right combination of simple imagery and layered meaning, not only with the intertwining of Eastern and Western string instruments, but also with Womack's compositions interlock and meld rhythmically, motivically, and stylistically. Womack, the composer of almost 100 works for orchestra, chamber ensembles, solo instruments, chorus and voice,has concentrated on compositions for Korean, Japanese, and Chinese instruments. His music has been performed and broadcast around the world and his composition appear on more than a dozen recordings. A faculty member at the University of Hawaii since 1994, Dr. Womack has chaired the music department and presently serves as professor of composition and theory, as well as a faculty member of both the Center for Japanese Studies and Center for Korean Studies.

Critically acclaimed clarinetist Christopher Nichols has recorded a cd of some of his favorite individual and consortium commissioning project, which are core pieces of his repertoire. In addition to works for clarinet and piano, there is a composition for woodwind quartet and one for countertenor, clarinet, and piano. Nichols is on the faculty at the University of Delaware. He performs regularly with orchestras such as the Pennsylvania Philharmonic, the Delaware Symphony Orchestra, and the Allentown Symphony Orchestra. He has performed as a soloist at national and international conferences and in 2015, was recognized with an Established Artist Fellowship from the Delaware Division of the Arts. His collaborators include pianist Julie Nishimura, who is also on the faculty at the University of Delaware; countertenor Augustine Mercante, who performs to great critical acclaim; composer/pianist Jennifer Margaret Barker; and the Christiana Winds.

American composer Byron O'Keefe's second recording for Albany Records is a disc of his music for piano. The composer says that "These pieces, with one exception, were composed over a ten year period between 2009 and 2019. While they obviously show the influence of Schubert, Chopin, Schumann, and other composers of that era, I would hope that a certain quality peers through them so that the listener, whether hearing them with 19th century ears, or through more modern sensibilities, would tend to want to say something along the lines of ‘that sounds American'." The pianist is Kateryna Ulezko, a 2007 graduate of the Tchaikovsky National Academy in Kiev.

This recording of songs by Asian and Asian-American composers who include Ke-Chia Chen, who is on the faculty at the Curtis Institute; Taiwanese-American Chihchun Chi-sun Lee, the receipient of numerous honors and awards; Asako Hirabayashi, winner of the Alienor International Harpischord Composition Contest; Yangzhi Ma, faculty member at the Central Conservatory of Music in Beijing; and Chen Yi, Distinguished Professor at the UMKC Conservatory of Music and Dance. Tenor Brian Arreola is on the faculty at UNC Charlotte and has been a featured performer with opera companies around the United States. Baritone Kelvin Chan divides his time between the U.S. and the Netherlands, where he has an active career as a performer, director, theatre-maker, and singer-actor. Pianist Wei-En Hsu, a graduate of Juilliard, is now on the faculty of the Hong Kong Academy for Performing Arts.

The compositions on this album range from little-known miniatures to two of the most revered sonatas in the repertoire. From virtuosic flights of fancy to quiet reflection, they explore the gamut of expressive possibilities that the combination of cello and piano has to offer. Cellist Jameson Platte maintains an active career as a performer and teacher. He is principal cellist of The Orchestra of Northern New York, Chelsea Opera, and Bachanalia Virtuosi, among others. On the faculty at Skidmore, Platte works extensively as a clinician, guest conductor, and cello coach. Pianist/composer Matthew Quayle is on the faculty at NYU Abu Dhabi. He has performed widely as a solo pianist and chamber musician and he has received commissions from numerous orchestras and chamber ensembles. This is his second recording for Albany Records.

Oboist Dan Willett can't resist transcribing works written for other instruments for the oboe and this recording is a testament to not only his transcription abilities but also to his fine performances of repertoire not originally intended for oboe. Three works by Mozart, Grieg, and Prokofiev make up this recording — the Mozart and Grieg originally written for violin and the Prokofiev for flute. Willett is a professor at the University of Missouri School of Music. In addition to frequent solo and chamber recitals, Willett has performed with numerous orchestras and at festivals. His collaborator is Natalia Bolshakova, who enjoys and active performing career.

of death and the planets is a large song cycle by composer Jim Lahti, setting a poetry collection of the same name by John McEveety Woodruff. The work is, essentially, a 15-movement journey and over the course of approximately an hour and a half the listener will be transported through the solar system with occasional stops along the way for five departed souls with personal connections to Mr. Woodruff. Both the poems and the music are at times dramatic, poignant, sad, loving — and periodically whimsical. Passionate about music, di.vi.sion is an exciting group that seeks to move audiences. Formed in 1997 by violinist Kurt Briggs, the name is inspired by the group's flexibility to divide forces as needed and by their predisposition to commission new works using the musical form of division. Composer Jim Lahti's music has been heard in concerts in San Francisco, Los Angeles, New York, London, and France as well as on radio stations in the U.S. and Canada. He is the 2018 recipient of the BRIO Award for excellence in music composition from the Bronx Council on the Arts. English-German tenor Rufus Müller has an active career performing for oratorio and opera and has worked with many of the world's leading conductor. Soprano Timothy Maureen Cole is a graduate of Westminster Choir College and Ithaca College. She has extensive performance experience in classical as well as musical theater repertoire.

Acclaimed composer Michael Torke has brought fresh life to an old, but popular form, as these four concertos demonstrate. For Sky, a concerto for violin, Torke imposed classical forms on Bluegrass, evoking the music of the people who settled Kentucky. The other three concertos (for bassoon, oboe, and clarinet) test the limits of the instruments with unstale musical expression. Torke's music has been commissioned and performed by organizations such as the New York Philharmonic, the English National Opera, the London Sinfonietta, and the New York City Ballet, among many others. He has created a substantial body of works in virtually every genre. Award winning violinist Tessa Lark is a budding superstar in the classical realm and a highly acclaimed fiddler in the tradition of her native Kentucky. Bassoonist Peter Kolkay is on the faculty at the Blair School of Music at Vanderbilt. The recipient of an Avery Fisher Career Grant, he is an active soloist and chamber musician. Oboist Ryan Roberts is a member of the New York Philharmonic and has performed as guest principal oboe with the Chicago Symphony Orchestra and the San Francisco Symphony. Weixiong Wang is principal clarinetist of the Albany Symphony and the winner of several international competitions.

The title of this recording -- Bridges -- implies connections. The bridges invoked on this disc are a series of personal and musical connections between five composers that lead from the 19th century piano virtuoso Chopin to 20th century tango master Piazzolla -- links from mentor to student through five generations: Chopin; Mathias; Williams; Ginastera; Piazzolla. All five composers were immigrants, literally and/or musically, so underlying the repertoire on this disc is the free exchange of ideas that come from travel and immigration. This program has been selected by Rosa Antonelli, a pianist who has championed repertoire from Latin America, particularly from her homeland of Argentina -- often resurrecting little-known jewels. Antonelli, a Steinway Artist since 1998, is one of today's leading performers, who has toured extensively, with more than 1,000 concerts in Europe, Africa, Asia, Latin America, and North America to her credit. Her three previous recordings on Albany Records have received rave reviews from critics.

Pianist James Adler has recorded a recital that pays homage to people who have been great influences and offers musical remembrances of important people in his life. The longest work on the program, Pictures at an Exhibition is dedicated to his mother and his aunt, both of whom encouraged him in his pursuit of music. James Adler is a pianist who "can create whatever type of music he wants at the keyboard" (Chicago Sun-Times) and a composer who writes "with uncommon imagination" (Atlanta Journal-Constitution). Mr. Adler made his orchestral performing debut with the Chicago Symphony Orchestra and has appeared in recital at famous venues around the world. His discography includes recordings on the Albany, Capstone, Navona, and Ravello record labels.

The Pan Pacific Ensemble, a woodwind quintet based in the State of Washington, has a history of commissioning and performing contemporary music. This second recording of the ensemble includes works by American Nick Omiccioli; Chinese-American Chen Yi; Indian-American composer Asha Srinivasan; Thai composers Chaipruck Mekara and Siraseth Pantura-Umporn; Chinese composer Zhong Jun Cheng; and Vietnamese-American composer P.Q. Phan. The Pan Pacific Ensemble has appeared at the 2016 China-ASEAN Contemporary Music Festival and the 2017 Thailand Iternational Composition Festival in Bangkok in addition to their active concert schedule in the United States.

This recording is an outgrowth of the Pan Pacific Ensemble's mission to enable and promote new compositions with a global outreach through high-level performances. This disc of commissioned works includes compositions by Chinese-American Chin Yi; Chinese composers Yi Qiao and Xinyan Li; Thai composers Tanapon Chiwinpiti, Siraseth Pantura-Umporn, and Naarong Prangcharoen; Malaysian composer Yii Kay Hoe; and Vietnamese composer Do Kien Cuong. Instrumentation for the Pan Pacific Ensemble includes flute, oboe, clarinet, bassoon, and horn. The Pan Pacific Ensemble has appeared at the 2016 China-ASEAN Contemporary Music Festival and the 2017 Thailand Iternational Composition Festival in Bangkok in addition to their active concert schedule in the United States.

French composer and pianist Cécil Chaminade (1857-1944) wrote approximately 400 compositions, including 125 songs. Dismissed by her male colleagues, she did make a mark through her French romantic style at the turn of the century. Though she is primarily known today for her solo piano compositions and her recordings for the gramophone, this recording illuminates a facet of her much overlooked mélodie oeuvre. The songs on this disc display not only Chaminade's adroit word pianting but also her ability to spin orchestral effects through her piano writing. Soprano Sooah Park has been praised by critics for her role as Oscan in Verdi's Un Ballo in Maschera, saying, "Sooah Park shines as Oscar, and her singing is utterly delightful." (Houston Arts Week) She has performed as a recitalist and in opera around the world including performances in Australia, Brazil, Mexico, Finland, South Korea, and the United States. On the faculty at the University of Texas at Tyler, she studied at Eastman and the University of Texas at Austin. Her collaborator, pianist Sang Woo Kang is an active performer who has presented masterclasses and recitals inmore than 25 countries. He pursues his career as a solo, orchestral, and chamber music performer while teaching at Providence College and Brown University.

Steinway Artist Yaroslav Senyshyn is a Canadian born pianist of Ukrainian ancestry. He was a prize pupil of Antonina Yaroshevich, who was a contemporary of Vladimir Horowitz at the Kiev Conservatory. Thus Senyshyn was trained in the grand tradition of piano playing. He was featured in a documentary program about great Canadian pianists and is an active recitalist and concerto soloist, having performed with orchestras around the globe. Lauded by critics as a pianist of "enormous power" (The Washington Post) and for his technical fluency, master of the composer's style, and an understanding of the music" (Fanfare), Dr. Senyshyn is Professor of Music and Moral Philosophy at Simon Fraser University. For his third recording on Albany Records, Senyshyn has chosen two of the most loved concertos for piano: Chopin's Concerto No. 2 and Liszt's Concerto No. 2.

Isaac Albéniz (1860-1909) created some of the most popular and enduring pianistic portraits of his native Spain. His masterpiece was Iberia, a collection of 12 substantial pieces divided into four books. Technically challenging and structurally complex, Iberia is a monument in the piano repertoire. Pianist and Albéniz scholar Pola Baytelman teams up with musicologist and Albéniz biographer Walter Aaron Clark to present the only documentary on this magisterial work. Combining brilliant performances with lucid explanations of the music itself, it takes the viewer on a voyage through time and space to the Spain of Albéniz's Romantic imagination. In addition to this Blu-Ray video, an audio CD is included of Baytelman performing works for piano by Albéniz, including excerpts from Iberia. Acclaimed pianist Pola Baytelman is also highly respected as an educator, having taught master classes in China, England, Hong Kong, India and throughout the United States, including being featured at the 9th International Symposium on Spanish Keyboard Music. Dr. Walter Aaron Clark is Distinguished Professor of Musicology at the University of California, Riverdale, where he is the found/director of the Center for Iberian and Latin American Music.

Commissioned by acclaimed cellist Jonathan Miller, this digital only recording of Judith Weir's Three Chorales for cello and piano is a world premiere. Weir is a London-based composer of Scottish ancestry who occupies a central position in the UK's most august musical circles. Of the Three Chorales, Weir sasy that these three pieces for cello and piano are meditations—personal, secular and musical—on images from religious poetry. Jonathan Miller is a member of hte Boston Symphony Orchestra and has performed as soloist with numerous orchestras including the Boston Pops and Hartford Symphony Orchestra. He is the founder and artistic director of the Boston Artists Ensemble. He is joined on this recording by pianist Randall Hodgkinson, who has an international career as a concerto soloist, recitalist, and chamber musician.