An American Sampler

From Billings to Bolcom - the subtitle of this recording dedicated to the American art song is a compilation of the best American has to offer from our musical beginnings to today. "Some of our best American composers have not been prolific songwriters," says Paul Sperry. "I think William Schuman's Orpheus with His Lute has everything a song needs: it is simple, moving and beautiful. But it is a single song, written for a proposed production of Henry VIII and has no companion pieces. Elliott Carter's three settings of Robert Frost constitute almost half of the solo songs he wrote, and Elie Siegmeister's arrangement of William Billings is the only solo Billings song I have seen. That is why I have compiled this American Sampler - to be able to record songs I love without having to worry about assembling a group by each composer. I have simply picked 31 of my favorite songs and put them together the way I would in a recital: organized to show each one to greatest advantage. I have deliberately not grouped the songs by composer, period or style, except for John Musto's little cycle, Shadow of the Blue: I kept it together because it is so powerful as an entity." Paul Sperry is recognized as one of today's outstanding interpreters of American music. Although he is equally at home in a repertoire that extends from Monteverdi opera and the Bach Passions to Britten's War Requiem and hundreds of songs in more than a dozen languages, he brings to American music a conviction and an enthusiasm that has brought it to life for countless listeners.