My Love Unspoken
Robert Osborne (bass-baritone), Malcolm Halliday (piano)
Leo Sowerby, whose loving sobriquet is "the Handel of Lake Michigan," lived most of his life in Chicago. He composed 550 works in all forms save ballet and opera and was the recipient of both the Pulitzer Prize and the Prix de Rome. His works were premiered by such illustrious musicians and Organizations as Serge Koussevitsky, E. Power Biggs, the Paul Whiteman Orchestra, and the Chicago and Boston Symphony Orchestras. His 122 songs, 21 of which are heard on this disc, composed between 1909 and 1966, straddle a critical transitional period in American art song history. His earliest songs reflect the parlor and sentimental styles that were prevalent in the first decades of this century. His compositional training and his beloved models were from the French school, rather than the more dominant German school that then held sway over American concert and educational life. But by the early 1920s Sowerby's personal and American voice, founded on his prairie roots, was clear in his songs. This unique voice is heard to magnificent effect in the lovely songs contained on this recording.
Track Listing
Title | Composer | Performer |
---|---|---|
Wanderer's Song, H. 296 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
One Sunny Time in May, H. 215 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Prayer of the Seafarer, H. 209, No. 2 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
The Moor Grave, H. 190, No. 1 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Serenity, H. 198 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Highland Spring, H. 190, No. 2 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Go ïway from my window, H. 295, No. 1 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Black is the color of my true love's hair, H. 295, No. 2 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
He's gone away, H. 181-311 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Snow Toward Even | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Donnycarney | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
On the Beach at Fontana | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
One Morning in May, H. 295, No. 3 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Loch Lomond, H. 210 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
For Late Autumn, H. 257 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Early Spring Song, H. 266 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
In my craft or sullen art, H. 366 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
I Have Known Two Words, H. 450 | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Lyric of Spring | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Pastorale for an August Night | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Paean to Autumn | Leo Sowerby | Robert Osborne, bass-baritone, Malcolm Halliday, piano |
Reviews
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"There are discs of Chamber music, choral and Organ works but nary a song, and until now I had no idea he had written any, so this record was a revelation.I am rather impressed by the Masefield songs; Masefield is a more impressive poet than I remembered him."
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