American Reverie
Peter Kairoff (piano)
After decades of relative obscurity, a number of gifted American composers who flourished around the turn of the 20th century are being discovered by music lovers. After their deaths composers such as Horatio Parker and a number of others were dismissed as derivative and minor figures, writers of pale imitations of European art music. But, as their works begin to reenter the repertoire with greater frequency, listeners at the turn of the 21st century are discovering music of great charm, impeccable craftsmanship and sincere expression. In fact, in their day many of these composers were greatly admired. Parker, for example, as professor of composition and Dean of the School of Music at Yale, enjoyed a reputation as a master of compositional craft, and taught a number of important younger composers, including Charles Ives. The reality was that Ives helped take music in a new direction, but now from the distance of a century or more, the fact that Parker's music was not ground breaking seems somehow less important and we as listeners are free to admire the craftsmanship and respond to the sincerity of this wonderful music.
Track Listing
Title | Composer | Performer |
---|---|---|
Six Lyrics for Piano, Op. 25 | Horatio Parker | Peter Kairoff, piano |
Four Sketches, Op. 19 | Horatio Parker | Peter Kairoff, piano |
Morceaux Characteristiques | Horatio Parker | Peter Kairoff, piano |
Reviews
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"Americanists will rejoice at the availability of Horatio Parker's piano music. Parker, a member of the so-called Second New England School (the First included William Billings and the other Revolutionary hymn-tune composers), was one of the first major figures on the American compositional landscape....The music is elegant and charming, but nothing more than that....This recording will be of greatest interest to Americanists and libraries."
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