Trompetas de Plata
Sonia Rubinsky (piano), Karen Rosenak (piano), Berkeley Contemporary Chamber Players, Cuarteto Latinoamericano
Born in Buenos Aires, Jorge Liderman began his musical studies at the Rubin Academy of Music in Jerusalem. In 1988, he received his doctorate in composition from the University of Chicago where he worked with Ralph Shapey and Shulamit Ran. A year later, Liderman joined the composition faculty at the University of California, Berkeley. The composer writes: "Continuity and the lack of continuity have been at the center of my musical thinking for nearly fifteen years. By continuity I mean the presence of a musical fabric woven by one or more musical processes that unfold gradually. This leads the listener, "uninterruptedly," from one harmonic idea to another, from a low to a high register for example, or from a clearly irregular and non-metric rhythmic pattern to a regular and pulsating beat. On the other hand, the lack of continuity shapes itself through the abrupt juxtaposition of sharply contrasting brief musical statements. Here the contrast is created by the juxtaposition of far reaching harmonic areas which could also be different in nature. Trompetas de Plata, a collection of some of my most recent chamber works for strings, percussion and piano, was composed with these ideas in mind."
Track Listing
Title | Composer | Performer |
---|---|---|
Draft | Jorge Liderman | Berkeley Contemporary Chamber Players |
Piano Quintet | Jorge Liderman | Cuarteto Latinaoamericano, Sonia Rubinsky, piano |
Tropes V | Jorge Liderman | Karen Rosenak, piano |
String Quartet No. 3 | Jorge Liderman | Cuarteto Latinoamericano |
Reviews
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"...this ebullient and irresistible new release is pure delight."
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"...a...well played and enjoyable program..."
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