An Encounter with the Music of William Kraft
Sheryl Staples (violin), Delores Stevens (piano), Barry Centanni (percussion), Jeffrey Parsons (harp), Terry Longshore (percussion), Gloria Cheng (piano), Sharon Leventhal (violin), Jeremy Haladyna (piano), Todd Barton (electronic valve instrument), Terry Longshore (Roland Handsonic)
Born in Chicago, William Kraft has had a long and active career as a composer, conductor, timpanist/percussionist and teacher. He is Professor Emeritus at the University of California, Santa Barbara, where he served for 11 years (1991-2002) as Chairman of the Composition Department and Corwin Professor of Music Composition. He is of that generation of American composers who came to prominence starting in the late 1940s and throughout the 1950s whose music is characterized by a distinct brashness, tinged with the energy of jazz and a definite sense of the dramatic. As an avid percussionist, many of the works which first brought him fame spotlight that part of the orchestra, and as director of the Los Angeles Percussion Ensemble, he premiered many now important works. This diverse collection, ranging from solo to orchestral works, exemplifies the wonderful range of this dynamic American composer.
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Track Listing
Title | Composer | Performer |
---|---|---|
Concerto a Tre | William Kraft | Sheryl Staples, violin, Delores Stevens, piano, Barry Centanni, percussion |
Incantation for Guitar Solo | William Kraft | Brian Head, guitar |
Vintage Renaissance and Beyond | William Kraft | California State University Wind Symphony, Mitchell Fennell, conductor |
Encounters XII | William Kraft | Jeffrey Parsons, harp, Terry Longshore, percussion |
Translucences for Solo Piano | William Kraft | Gloria Cheng, piano |
In Memoriam Igor Stravinsky | William Kraft | Sharon Leventhal, violin, Jeremy Haladyna, piano |
Kandinsky Variations | William Kraft | Todd Barton, electronic valve instrument |
Reviews
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"Kraft is nothing if not ecelectic, but a distinct personality is always at play here. In that respect, he resembles his hero Stravinsky even as he does not mimic his music. Perhaps that is the best homage of all."
*Album cover provided for Editorial use only. ©Albany Records. The Albany Imprint is a registered trademark of PARMA Recordings LLC. The views and opinions expressed in this media are those of the artist and do not necessarily represent or reflect the views and opinions held by PARMA Recordings LLC and its label imprints, subsidiaries, and affiliates.