The Music of George Edwards

Stephen Gosling (piano), Patrick Pridemore (horn), Aaron Boyd (violin), Manhattan Sinfonietta, Jack Quartet, Jeffrey Milarsky

Catalog #: TROY1264
Release Date: May 1, 2011
Format: Digital
Chamber

George Edwards graduated from Oberlin and then did graduate study at Princeton, where he studied with Milton Babbitt, Earl Kim and Edward T. Cone. He taught at the New England Conservatory and then moved to Columbia University in 1977 where he taught composition and theory until 2004 when he retired. George Edwards' longtime friend and colleague, the composer and theorist Fred Lerdahl, identifies three basic strands in Edwards' music. First, it is relentlessly contrapuntal. Second, Lerdahl notes that while the music is not truly serial, the works of twelve-tone composers have had a profound effect. Finally, the music shows a strong affinity for the lyrical intensity and harmonic richness of the late Romantic Austro-German repertoire. These three strands coalesce in important ways to form the essence of George Edwards' unique compositional voice. With the release of this recording, we are fortunate to have the opportunity to engage with a composer of the first order.

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Track Listing

Title Composer Performer
The Isle is Full of Noises George Edwards Manhattan Sinfonietta, Jeffrey Milarsky, conductor
Suave Mari Magno George Edwards Stephen Gosling, piano
String Quartet No. 2 George Edwards Jack Quartet
Czeched Swing George Edwards Stephen Gosling, piano
Trio for Horn, Violin and Piano George Edwards Patrick Pridemore, French horn, Aaron Boyd, violin, Stephen Gosling, piano

Reviews

  • "[George Edwards] is, when all is said and done, a true neoromantic of commanding musical intellect and technical prowess... His is music that posits the ultimate paradox of being at once of great intellectual rigor, and of surpassing emotional power."

    – Fanfare

*Album cover provided for Editorial use only. ©Albany Records. The Albany Imprint is a registered trademark of PARMA Recordings LLC. The views and opinions expressed in this media are those of the artist and do not necessarily represent or reflect the views and opinions held by PARMA Recordings LLC and its label imprints, subsidiaries, and affiliates.