Hat er mir Rosen gebracht – Songs of Joseph Marx

Laura Ward, Kendra Colton

Catalog #: TROY1836
Release Date: August 1, 2020
Format: Digital
Vocal

Joseph Marx (1882-1964) was a bit of a musical late-bloomer. He earned a doctorate in 1909, having studied philosophy, art history, and German studies, and only later adding musicology. Castigated for his seeming cooperation with the Nazis, he also spoke out against the avant-garde, which he believed had ushered in the decay of Austrian musical culture. Among his works, there is a trove of more than 150 songs. In their time, his songs were loved and championed by famous Austrian singers but he and his music came to be largely ignored. Soprano Kendra Colton is a versatile singer who performs repertoire from Baroque opera and oratorio to contemporary music and enjoys an active performing career. Pianist Laura Ward is co-artistic director of Lyric Fest and is a distinguished collaborative pianist.

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Track Listing

Title Composer Performer
Und gestern hat er mir Rosen gebracht Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Traumgekrönt Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Serenata Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Hat dich die Liebe berührt Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Maienblüten Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Frage und Antwort Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Marienlied Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Warnung Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Pierrot Dandy Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Lob des Frühlings Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Japanisches Regenlied Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Windräder Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Der bescheidene Schäfer Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Waldseligkeit Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Nocturne Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Wanderliedchen Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Venetianisches Wiegenlied Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Nachtgebet Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Ein goldenes Kettlein Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Es zürnt das Meer Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Sankta Maria Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Der Gefangene Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Die Elfe Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Ständchen Joseph Marx Kendra Colton (soprano); Laura Ward (piano)
Selige Nacht Joseph Marx Kendra Colton (soprano); Laura Ward (piano)

Reviews

  • "Joseph Marx (1882-1964) wrote a considerable volume of music in various genres (except no opera), but was also active in Austria as an important pedagogue, critic, and writer. In his taste and philosophy he was decidedly conservative and opposed to the serialists, who were centered largely in Vienna. His songs, about 150 in all, were mostly written in the few years after 1908; they are with piano, but he also orchestrated about 20 of them. These pieces were very popular in his day, but when Marx branched out into other genres, his popularity waned. Kendra Colton, an American soprano who has appeared widely here and abroad, teaches at Oberlin. She sounds splendid here – lovely, even tone with a perfectly controlled vibrato and wonderful high notes (often ranging to Bflat in pieces like `Serenata' and `Hat dich die Liebe Berührt'). She captures the romantic texts (many of them really over the top!) with conviction and sincerity. Some little songs like `Ständchen' and `Selige Nacht', which close the recital, are the epitome of the romantic song. Special mention should be made of Laura Ward, who tackles the often challenging piano parts. The accompaniments themselves show lots of imagination, as in the pictorial writing in `Windräder' or the light-heartedness of `Pierrot Dandy'. Generally speaking, the pianist has to be just as fine as the singer, and Ward is excellent. "

    – American Record Guide

*Album cover provided for Editorial use only. ©Albany Records. The Albany Imprint is a registered trademark of PARMA Recordings LLC. The views and opinions expressed in this media are those of the artist and do not necessarily represent or reflect the views and opinions held by PARMA Recordings LLC and its label imprints, subsidiaries, and affiliates.