Undiscovered Trumpet Concertos

Paul Neebe trumpet

The Budafok Dohnáyi Orchestra
Mladen Tarbuk conductor
Thomas Bithell trumpet guest

Enjott Schneider composer
Jozef Podprocký composer
Carl Roskott composer
Terry Mizesko composer

Catalog #: TROY1982
Release Date: December 13, 2024
Format: Digital
Instrumental
Orchestral

Trumpet virtuoso Paul Neebe is the rare kind of musician destined to be a soloist: commanding a characteristic, recognizable sound full of determination and expression, yet never sacrificing precision or clarity. Who better, then, to champion UNDISCOVERED TRUMPET CONCERTOS by four contemporary composers?

Despite what the recency of these works may suggest, the language of these concertos is largely tonal and consonant. Neebe’s solo trumpet is symphonically complemented by the Budafok Dohnányi Orchestra, an acclaimed ensemble from musically rich, musically conservative Hungary. Considering the tonal-yet-contemporary material, one could not imagine a more perfect symbiosis. Neebe and the Hungarians form a veritable dream team, and the result is nothing short of a revelation.

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Track Listing

# Title Composer Performer
01 Longing for Ancient Times: 1. The Castle of Heidelberg Enjott Schneider Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 3:55
02 Longing for Ancient Times: 2. Lorelei – The Mermaid of the Rhine Enjott Schneider Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 3:53
03 Longing for Ancient Times: 3. Walpurgis Night on the Blocksberg. Witches’ Dance Enjott Schneider Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 3:23
04 Longing for Ancient Times: 4. The Trumpeter of Saeckingen Enjott Schneider Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 4:19
05 Longing for Ancient Times: 5. Farewell to Rothenburg ob der Tauber Enjott Schneider Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra; Mladen Tarbuk, conductor 5:51
06 Concert Piece for Trumpet and Orchestra, Op. 70: I. Allegro risoluto Jozef Podprocký Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 9:08
07 Concert Piece for Trumpet and Orchestra, Op. 70: II. Lento meditazione Jozef Podprocký Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 5:05
08 Concert Piece for Trumpet and Orchestra, Op. 70: III. Allegro pressante Jozef Podprocký Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 3:40
09 Fantasia for Two Trumpets Carl Roskott Paul Neebe, Thomas Bithell, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 10:19
10 Lamento for Don Quixote – 12 Variations Terry Mizesko Paul Neebe, trumpet; The Budafok Dohnáyi Orchestra | Mladen Tarbuk, conductor 11:59

Recorded June 27-30, 2023 and October 13, 2023 at Eiffel Art Studios in Budapest, Hungary

Engineer Tamás Csurgó
Musical Advisor Steve Truckenbrod
Concertmaster Bence Gazda

Mixing & Mastering Doron Schächter

Cover Photo Lu Friedman

Executive Producer Bob Lord
Artistic Directors, Albany Records Peter Kermani, Susan Bush

VP of A&R Brandon MacNeil
A&R Chris Robinson

VP of Production Jan Košulič
Audio Director Lucas Paquette

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Aidan Curran
Digital Marketing Manager Brett Iannucci

Artist Information

Paul Neebe

Trumpeter

Paul Neebe is highly accomplished across classical music genres as a soloist, orchestral musician, and chamber player. The International Trumpet Guild praises his “crystal clear sound” and “ringing articulation,” and the Slovak music magazine Hudobný život sums up his playing in one word: “virtuosity.”

Richard McKay

Mladen Tarbuk

Conductor

Mladen Tarbuk is one of the most versatile composers and conductors of his generation. He has conducted many prestigious symphony orchestras and opera companies, including the Hungarian State Opera, Teatro Verdi Trieste, the Prague State Opera, the Nordic Chamber Orchestra, Sinfonietta Cracovia, Wien Concert-Verein Orchestra, the Haifa Symphony Orchestra, the Slovenian Philharmonic, Orchestra Sinfonica Siciliana, the Hungarian Radio and Television Orchestra, the Symphonic Orchestra of the State Mexico, Opera Lyra Ottawa, Prague State Opera, and at the National Music Festival in Chestertown MD. From 2004–2009 he worked regularly at the Opera at Rhine in Düsseldorf as a guest conductor, conducting a large repertoire including An Abduction from Seraglio, Il Trittico, and La Wally. In 2013–2014 he was music director and in 2014–2017 general artistic director at the Dubrovnik Summer Festival. From 2002–2005 he was the general director of Croatian National Theatre in Zagreb.

Richard McKay

Thomas A. Bithell

Trumpet

Thomas A. Bithell is a professional trumpet player whose career spans both decades and continents. Bithell earned his Bachelor’s, Master’s and Graduate Performance degrees in music from the New England Conservatory in Boston MA and the Peabody Conservatory in Baltimore MD. He was privileged to be taught by several renowned artists including Charlie Schlueter and Timothy Morrison from the Boston Symphony Orchestra, Josef Burgstaller from the Canadian Brass Quintet, Edward Hoffman from the Baltimore Symphony, and Steve Hendrickson from the National Symphony Orchestra. A longtime member of the Roanoke Symphony Orchestra in Virginia, Bithell also plays with the Baltimore Symphony Orchestra, the Annapolis Symphony Orchestra, and the Baltimore Choral Arts Society. In July 2022, Bithell traveled with the Annapolis Symphony Orchestra to Spain to perform concerts in Madrid, Valencia, Zaragoza, and Granada.

The Budafok Dohnányi Orchestra

The Budafok Dohnányi Orchestra is Hungary’s most dynamic and versatile symphony orchestra, supported by the Municipality of Budafok-Tétény (22nd District of Budapest). It was turned into a professional orchestra in 1993 and gained recognition on the Hungarian and international music scene, becoming a top classical music ensemble in a relatively short time span under the baton of Liszt Award-winning conductor, Artist of Merit, Maestro Gábor Hollerung.

Enjott Schneider

Composer

Enjott Schneider is a German composer whose works are performed worldwide, including 10 operas, 16 organ symphonies, eight orchestral symphonies, chamber music works, Musica Sacra with 12 oratorios, as well as choral and organ music and hundreds of film scores such as Schlafe Bruder Stalingrad, 23, and Stauffenberg, which have won the German Film Prize, German Television Prize, and Best European Film Music. He explores “cross culture composing” as creative communication with contexts of past times (historical dimension) and other cultural circles (geographical dimension). His work is recorded on more than 100 releases. He was Professor at the Munich University of Music and Theatre from 1979–2012, member of the GEMA Supervisory Board from 2003 to 2021 (Chairman of the Supervisory Board), and President of the German Composers’ Association from 2013-2020. For more information visit enjott.com

Jozef Podprocký

Composer

Jozef Podprocký (1944–2021) was a Slovak composer born in Žakarovce. He began to study composition while playing the piano at the Conservatory in Košice with Juraj Hatrík, who worked at the Conservatory during this period. He continued his studies at the Academy of Performing Arts (1965–1970) in the composition class of Ján Cikker before finishing his studies in the class of Alexander Moyzes. From 1969–2013 he worked at the Conservatory in Košice as a professor of composition and music-theoretical subjects. From 1986–1988 he also served as director of the State Philharmonic in Košice.

Carl Roskott

Composer

Carl Roskott (1953–2008) was a member of the University of Virginia Music Department from 1991–2005 where he was the conductor of the Charlottesville Symphony at the University of Virginia and taught composition and conducting. Roskott was a graduate of the Peabody Conservatory of Music and the New England Conservatory of Music, from which he received the prestigious George Whitefield Chadwick Medal. Roskott attended the Tanglewood Institute on two Leonard Bernstein fellowships and was the recipient of the Dimitri Mitropoulos Award. He studied with Leonard Bernstein, Gunther Schuller, Sheldon Morgenstern, Leo Mueller, Richard Pittman, and Michael Tilson Thomas. Previously, Roskott was a faculty member at Northern Illinois University (NIU) (1980–1991), receiving Downbeat Magazine’s award for the “Best Symphony Orchestra Recording” every year from 1980–1989 for his leadership of the NIU Philharmonic. Roskott conducted the Young Artist Orchestra at the Eastern Music Festival in North Carolina for 25 years. Roskott has written numerous compositions for full orchestra, concertos for horn and for violin, several pieces for small ensemble, and a double concerto for violin and cello. His Fantasia for Two Trumpets was originally written with piano in 1985 and posthumously transcribed by Jan Bach in 2015 for full orchestra.

Jan Bach

Composer

Jan Bach (1937–2020) started writing music at the age of 5 and received his first composition award from BMI (Broadcast Music, Inc.) at the age of 19. An Illinois native, he studied at the University of Illinois in Urbana-Champaign, receiving the Doctor of Musical Arts in Composition in 1971. From 1966–2004, he taught theory and composition courses at Northern Illinois University where in 1982, he was awarded one of the university’s first eight prestigious Presidential Research Professorship grants. A performer on piano and French horn, Bach was taught by Roberto Gerhard, Aaron Copland, Kenneth Gaburo, Robert Kelly, and Thea Musgrave. Bach’s music continues to be performed and recorded worldwide. His rhythms, melodic placement, use of fugues and especially his fondness of writing for the “underdog” instruments (viola, tuba, bassoon, harp, steelpan, euphonium, to name a few), made Bach a key contributor to 20th Century Post-Modern Composition. He was the recipient of countless commissions, grants, recordings, and publications. Bach is a composer member of Broadcast Music, Inc., New York.

Terry Mizesko

Composer

Terry Mizesko was born in Morehead City NC. He received his Bachelor of Music in Theory/Composition from East Carolina University where he studied composition with Martin Mailman and Gregory Kosteck, and trombone and counterpoint with Eugene Narmour.

As a professional musician, Mizesko held the position of bass trombone with the North Carolina Symphony from 1971–2017. He was also on the faculty of the Eastern Music Festival (EMF) (2000–2015) where he performed in the EMF orchestra under the direction of Jerry Schwarz.

Mizesko’s original compositions, as well as his holiday arrangements, have been performed by such prominent orchestras as Atlanta, Baltimore, Philadelphia, Louisville, Fort Worth, Syracuse, Buffalo, Virginia, and North Carolina. He has also had his works performed in France and the United Kingdom.

Notes

Longing for Ancient Times is a concerto that describes some of the most famous historical corners of romantic Germany. Each movement quotes typical melodies of folk music, oscillating between concertante aspirations and romantic longing as songs that have become a cultural identity.

I. “Heidelberg,” with its famous castle, Germany’s oldest university, and historic old town streets, is the epitome of “Old Germany.” Situated in the valley of the Neckar, it offers visitors many sights, bridges, and churches. The music reflects the dark, wildly romantic atmosphere of Heidelberg Castle and eventually leads to the well-known student song Gaudeamus Igitur. Its melody dates from the 18th century and the Latin text is from Christian Wilhelm Kindleben (1781). This traditional student song is known worldwide

II. “The Loreley” is a legendary 132-meter-high rock in the Middle Rhine Valley. The whirlpools and reefs around the rock are so dangerous they have caused many ships to wreck and people to drown. In his famous poem Ich weiß nicht was soll es bedeuten, dass ich so traurig bin (“I don’t know what it means that I am so sad”), Heinrich Heine (1797–1856) thematizes the Loreley as a long-haired mermaid who sings so beautifully (as in Homer’s Odyssey) that the skippers are compelled and steer toward the deadly passage. The melody is by Friedrich Silcher (1789–1860).

III. Walpurgis Night is celebrated as a meeting of witches and the devil in which ritual sexual debauchery is alleged to fertilize the soil. Witches’ dances and satanic ceremonies go back to ancient pagan customs. The witches’ Sabbath is documented as far back as the Middle Ages and was popularized as Walpurgis Night by J.W. von Goethe’s Faust Part 1. At the end of the piece, the folk song Der Mai ist gekommen (“May has come”) is still sung in the villages of the Harz on the night of May 1st. As a wild and unspoiled low mountain range, the Harz is the highest in northern Germany. Numerous legends surround the summit of the mountain Blocksberg. Melody by Justus W. Lyra, text by the Berlin poet Emmanuel Geibel.

IV. Säckingen is located on the High Rhine in the south of the Black Forest and is known as the trumpeter’s town. The trumpeter welcomes everyone with his famous song Behüt Dich Gott, es wär so schön gewesen. The poet Joseph Victor von Scheffel (1826–1886) found inspiration for his work The Trumpeter of Säckingen in the story of an unhappy love affair shortly after the Thirty Years’ War. This was popularized in the opera of the same name by Victor Ernst Nessler (1984). Several films also followed this theme.

V. Rothenburg ob der Tauber is located on the edge of Bavaria and, as a highlight of the “Romantic Road,” is one of the most beautiful towns in Germany. Together with neighboring towns such as Dinkelsbühl, Ansbach, and Tauberbischofsheim, which epitomize the old, fairy-tale Germany, one experiences a historical journey through time. Countless films, including American ones, have been shot in this picturesque setting. The Swabian folk song Muss i denn zum Städtele hinaus (“Must I go out to the little town”), which originated anonymously in the nearby Rems Valley in Württemberg, can be heard here. Through the melody published by Friedrich Silcher (1827), the song became well known internationally via the English translation by H.W. Dulcken, “Must I, then? From the town…” in 1856. The song received worldwide distribution when Elvis Presley recorded it in 1960 under the title Wooden Heart in the film G.I. Blues. The rock’n’roll icon learned the song during his military service in both Heidelberg and Bad Nauheim. It is about the melancholy of saying goodbye. Program Notes: Enjott Schneider Publisher EDITION by Strube Musikverlag GmbH, München VS 5172, 2023

Concerto for Trumpet and Orchestra was commissioned by Paul Neebe in the summer of 2016 and completed in 2018. Podprocký’s musical language is based on patterns of European musical modernism, especially from widespread tonal musical thinking. In addition to creating orchestral, concertante, chamber, and instructive pieces, he also devoted himself to vocal-instrumental and choral work. He transformed inspirations from the Slovak school of composition and folklore material by the procedures of European musical modernism (Bartók technologies, principles of the 2nd Viennese School, sonoristics etc.), which he selected and integrated into his own style in accordance with his own nature. Podprocký’s craft is firmly in his hands and each of his compositions are tectonically and content-different. He is a modern traditionalist, inclined towards musical structures that in sonic form echo a part of his character with a technological-creative order that make them sound good and new. It often uses a combination of folklore elements with a polymodal and 12-tone organization of harmonic and melodic elements, in combination with aleatorics. A number of his compositions were inspired by leading East Slovak and other performers: Košice Quartet, conductor Bystrík Režuchar, organist Ivan Sokol, accordionists Vladimír Čuchran and Peter Katina, Quasars ensemble, and others. He had a special relationship with the music of bygone eras. His great merits include reviving compositions or works by composers, especially from the Eastern Slovakia region. Pupils of Jozef Podprocký include: Peter Breiner, Iris Szeghy, Norbert Bodnár, Alexander Mihalič, Ondrej Morosz, Peter Guľas, Jana Kmťová, Ivan Buffa, and Peter Duchnický. He is a holder of the Ján Levoslav Bella Prize for 1978 for String Quartet No. 2, the Hemerkovci Foundation Award (1994), the Mayor of Košice Award 1994, the Critics’ Award for 2003, and the Košice City Award 2009.

The Fantasia for Two Trumpets had its premiere performance at the 1985 International Trumpet Guild conference in Albuquerque NM. The first and second trumpet soloists were Northern Illinois University (NIU) Professor Ronald Modell and University of Missouri Professor Betty Scott. NIU Professor Stephen Squires provided piano accompaniment as orchestral parts had not yet been written. The performance enjoyed a fine reception by the audience of nearly 1,000 trumpet players from around the world. The concerto, written in the style of both Béla Bartók and Gustav Mahler includes a series of call and responses, dovetailing in the most technical sections and is a challenging piece for trumpeters to perform. The second performance was given in Springfield IL, for Governor Jim Thompson in 1986. The piece was arranged for soloists and orchestra by NIU Professor Jan Bach in 2015 and premiered by the Kishwaukee Symphony Orchestra in May 2018 with Mark Baldin and Michael Swope as trumpet soloists.

– Jerrold Zar and Ron Modell

Lamento for Don Quixote is a set of 12 variations on a ground bass in a quasi neo-Baroque style with Spanish and Italian highlights. Each variation sets a particular mood with an interplay of trumpet and strings and is both virtuosic and demanding, with the strings playing three variations while the trumpet rests. The piece is considered a tour de force in terms of expression for the trumpet. It was commissioned by Michelle Hudson in 2005 for the birthday of her husband, trumpeter Tim Hudson. The inspiration came from a recording of the Chicago Symphony with Fritz Reiner performing Richard Strauss’ Don Quixote. The cover has a pen and ink drawing by Picasso of Don Quixote, a tall slender figure reminding Terry of Tim.

– Terry Mizesko

*Album cover provided for Editorial use only. ©Albany Records. The Albany Imprint is a registered trademark of PARMA Recordings LLC. The views and opinions expressed in this media are those of the artist and do not necessarily represent or reflect the views and opinions held by PARMA Recordings LLC and its label imprints, subsidiaries, and affiliates.