For Our Common Home

Resounding Ecojustice

Linda J. Chase, composer

Catalog #: TROY1995
Release Date: April 18, 2025
Format: Digital
Choral
Electronic
Orchestral
Vocal

FOR OUR COMMON HOME – Resounding Ecojustice is an impassioned appeal to preserve the Earth that nourishes us — and like its subject, it is ethereally beautiful. This oratorio is based on Laudato Si’, an encyclical issued by Pope Francis calling on humanity to acknowledge the urgency of the environmental crisis and work toward building a just and sustainable world. Inspired by a canticle of St. Francis of Assisi, the message focuses on environmental justice, addressing the impact of the climate crisis on the most vulnerable communities.

The music transcends pre-existing concepts of stylistic boundaries blending classical, jazz, gospel, and klezmer idioms, with vocal styles ranging from whispered text to full-throated anthems. FOR OUR COMMON HOME highlights compassion and solidarity and relates its message through its sheer beauty, communicative power, and skillful use of text. Immediate beauty, but with depth — much like nature itself.

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Track Listing

# Title Composer Performer
01 Prelude Linda J. Chase Holly Druckman, conductor 4:39
02 We Come Together Linda J. Chase Burcu Gulec, mezzo-soprano; Stuart Ryerse, recorder; Aimee Toner, flute; Holly Druckman, conductor 5:37
03 Prayer for Our Common Home Linda J. Chase (Adapted from, "A Prayer for Our Earth", Laudato Si') J'adon Brooks, baritone; Stan Strickland, soprano saxophone; Holly Druckman, conductor 3:11
04 Interlude I Linda J. Chase Aimee Toner, flute; Anna Unchu Pyon, piano 0:56
05 Languages of Trees Linda J. Chase Sarah Welden, soprano; Burcu Gulec, alto; Wei En Chan, alto; Teri Kowiak, alto; Kyle Seniw, tenor; J’adon Brooks, bass; Nathan Halbur, bass; Jennifer Hruska, electronics; Thomas Schmidt, percussion; Stuart Ryerse, piano; Holly Druckman, conductor 4:24
06 Interlude II Linda J. Chase Aimee Toner, flute; Abigale Reisman, violin, Elizabeth Abbate, violin; Carla Kihlstedt, violin; Carson McHaney, violin; Arjun Mudan, viola; Lysander Jaffe, viola; Thomas Barth, cello; Adithya Muralidharan, cello; Kirstan Lamb, double bass; Jennifer Hruska, electronics 1:33
07 Laudato Si' Linda J. Chase Kat Skafidas, voice; Holly Druckman, conductor 7:43
08 Sister Cries Out Linda J. Chase Carla Kihlstedt, voice; Sarah Matsushima, voice; Stan Strickland, soprano saxophone; Holly Druckman, conductor 4:37
09 We Are Not God Linda J. Chase Burcu Gulec, mezzo-soprano; J'adon Brooks, baritone; Mark Berney, trumpet; Holly Druckman, conductor 5:06
10 Harmonize with Creation Linda J. Chase Carla Kihlstedt, voice; Aimee Toner, flute; Holly Druckman, conductor 5:12
11 Interlude III Linda J. Chase Aimee Toner, flute; Mark Berney, trumpet 0:32
12 God of Creation, God of Liberation Linda J. Chase J’adon Brooks, baritone; Holly Druckman, conductor 5:03
13 Where is Your Brother? Linda J. Chase Kat Skafidas, soprano; Kyle Seniw, tenor; George Lernis, percussion; Thomas Schmidt, percussion; Holly Druckman, conductor 6:00
14 Interlude IV Linda J. Chase Lysander Jaffe, viola; Diane Heffner. Bass Clarinet 1:37
15 Breathing Linda J. Chase Holly Druckman, conductor 4:00
16 We Are Dust Linda J. Chase Burcu Gulec, mezzo-soprano; J’adon Brooks, baritone; Thomas Barth, cello; Adithya Muralidharan, cello; Abigale Reisman; violin; Stan Strickland, soprano saxophone; Anna Unchu Pyon, piano; Hankus Netsky, piano; Holly Druckman, conductor 8:25
17 They Are Not Recognized Linda J. Chase Carla Kihlstedt, voice; Kyle Seniw, tenor; Holly Druckman, conductor 5:50
18 What Does Earth Need? Linda J. Chase Carla Kihlstedt, violin; Stan Strickland, soprano saxophone; Hankus Netsky, piano; Holly Druckman, conductor 2:28
19 Interlude V Linda J. Chase Stuart Ryerse, piano 1:27
20 Gratitude Linda J. Chase Holly Druckman, conductor 3:12
21 Interlude VI Linda J. Chase Diane Hefner, bass clarinet; Thomas Schmidt, percussion; Adithya Muralidharan, cello; Kirstan Lamb, double bass 2:55
22 Preach to the Flowers Linda J. Chase J'adon Brooks, baritone; Stan Strickland, soprano saxophone; Anna Unchu Pyon, piano; George Lernis, percussion; Kirstan Lamb, double bass 5:36
23 Beyond the Sun Linda J. Chase Holly Druckman, conductor 4:27
24 Let Us Sing As We Go Linda J. Chase Sarah Brindell voice, Stan Strickland, soprano sax; Stuart Ryerse, piano 3:09

Recorded May 24-27 2022 at Fraser Performance Studio, WGBH in Boston MA

Engineer Antonio Oliart

Editing, Mixing, Mastering Antonio Oliart

Cover Photo Autumn Chase-Dempsey

Executive Producer Bob Lord
Artistic Directors, Albany Records Peter Kermani, Susan Bush

VP of A&R Brandon MacNeil
A&R Danielle Sullivan

VP of Production Jan Košulič
Audio Director Lucas Paquette

VP, Design & Marketing Brett Picknell
Art Director Ryan Harrison
Design Edward A. Fleming
Publicity Kacie Brown
Digital Marketing Manager Brett Iannucci

Artist Information

Linda Chase

Composer

Composer, improviser, and flutist Linda J. Chase writes instrumental chamber music, choral pieces, jazz, and experimental music. Blending the boundaries between improvisation and composition, she explores creating music beyond categorization and often focuses on themes of peace and justice. She draws inspiration from the natural world and seeks connections between music, nature, and spiritually. Chase is a professor at Berklee College of Music and New England Conservatory where she teaches Ecomusicology, Music, Spirit & Transformation, and leads the Interdisciplinary Arts Ensemble. Her Japan Foundation Fellowship (coinciding with 2011 Tohoku Earthquake and Tsunami) resulted in music incorporating the poetry of Shikibu, Ono no Komache, and Jane Hirshfield. This led to a collaboration with Hirshfield and a suite of songs called Hope is the Hardest Love We Carry,which was performed at the Museum of Fine Arts in Boston and New England Conservatory. Chase was Artist in Residence at Grand Canyon National Park where she composed Grand Canyon Sketches for voice and string quartet. While Artist in Residence at the Morris Graves Institute, she wrote First Comes Darkness then the Moon for flute, cello, and rhythm section. As composer in residence at Old Cambridge Baptist Church she composed The City is Burning, a concert length multi-media piece drawing on multi-faith sacred texts and poetry.

Chorus & Orchestra

Conductor
Holly Druckman

Violin
Elizabeth Abbate
Carla Kihlstedt
Abigale Reisman
Carson McHaney

Viola
Lysander Jaffe
Arjun Mudan

Flute
Aimee Toner

Clarinet/Bass Clarinet
Diane Heffner

Trumpet
Mark Berney

Percussion
Thomas Schmidt
George Lernis

Cello
Thomas Barth
Adithya Muralidharan
Sebastian Ortega

Double Bass
Kirstan Lamb

Piano, Recorder
Stuart Ryerse

Soprano
Kat Skafidas
Laura Thomas
Sarah Welden

Alto
Burcu Gulec
Wei En Chan
Teri Kowiak

Tenor
Kyle Seniw
Rian Grimmer
Peython Echelson-Russell

Bass
J’adon Brooks
Nathan Halbur

Notes & Libretto

Our goal is not to amass information or to satisfy curiosity, but rather to become painfully aware, to dare to turn what is happening to the world into our own personal suffering and thus to discover what each of us can do about it. (Pope Francis, 2015)

FOR OUR COMMON HOME – RESOUNDING ECOJUSTICE lifts up humanity’s urgent need to heal our relationship with Earth and each other. This oratorio was commissioned by world renown theologian Dr. Harvey Cox and is based on Laudato Si— an encyclical issued by Pope Francis. Laudato Si’ calls on humanity to acknowledge the urgency of the environmental crisis and work toward building a just and sustainable world. Inspired by a canticle of St. Francis of Assisi, the message focuses on environmental justice, addressing the impact of the climate crisis on the most vulnerable communities.

This cross-genre oratorio for chorus, soloists, and chamber orchestra draws from sacred choral music, contemporary classical, jazz, gospel, and klezmer traditions. Contemplative instrumental interludes in between vocal movements lead the listener from one movement to the next guiding shifts in mood or harmony and inviting a moment to reflect on the text which has just been sung.

The music engages the performers with the audience in a shared communal experience. The composer creates this environment by including soloists influenced by a wide range of traditions from around the world. The piece’s inclusivity is, in itself, a metaphor for “Our Common Home” and how we all need to participate in care.

References to Earth crying out calls attention not only to the devastation wrought by climate change but also endangered species of animals, racism, violence against women, systems of oppression, and climate refugees on perilous journeys. It is no accident that the piece’s genesis during COVID-19 corresponds to a time when people came together to demand that “injustice be defeated in the land” with protests accelerating around the world with the Black Lives Matter movement. This piece is an effective musical parallel with poetic text portraying God as a “God of liberation” and inviting us (as does St. Francis) to see nature as a magnificent book and, above all, asking humanity to “harmonize with creation.” The oratorio weaves songs of celebration along with reflection on the planetary crisis, calling for participation in movements for social and environmental transformation. The composer interprets the text as a call to action.

Pope Francis wrote to the composer:

“I very much appreciated your work. Thank you for your sensibility and commitment. The world constantly needs to be made aware of the importance of the care for our common home. Please continue with zeal, joy, and creativity.” (Pope Francis)

Origin & Inspiration

In March of 2020, theologian Harvey Cox commissioned me to compose an oratorio based on Laudato Si’. The text addresses the impact of the environmental crisis on the most vulnerable communities and speaks out against systems of oppression, reminding us that we are all siblings.

Laudato Si’ challenged me to write music that could invite conversations addressing injustice and what it means to rebuild our common home. Guided by the text, the music reflected what was happening in the world. I began writing at the beginning of the COVID-19 lockdown. That summer there were uprisings in the streets in response to the murder of George Floyd. This was for many, the first time to gather since the beginning of the pandemic, coming together to demand an end to violence. I spent winter on the New England coast reflecting on environmental justice, the plight of climate refugees, and questions of responsibility. Tuning in to the Earth while listening to the waves and wind, I reflected on the text: “May our struggles and concern for our planet never take away the joy of our hope. Let us sing as we go.”

– Linda Chase

*A piano and choir version of the score is also available.

Peace rooted in justice
We’re united, with all creatures we are woven
Brother Sun, Mother River, Sister Moon all God’s creatures
Woven together with nature, Mother Earth!
We have one heart, united with nature
And with one heart, work for justice
God of creation, God of liberation, God has spoken
God has shown us peace rooted in Justice
Justice is peace
We come together to care for our home
We’ve been entrusted to heal and restore
Journey together in union with all creatures
Journey to seek God
We come together

Adapted from, “A Prayer for Our Earth,” Laudato Si’

All powerful God, you are present in the universe
In the smallest of your creatures you embrace so tenderly
Oh God of the poor, help us rescue the forgotten ones
Bringing healing to our lives so we protect and not destroy
Pour out upon us the power of your love
That we protect life’s beauty
Fill us with courage that we may walk in harmony
Oh God, touch our hearts to seek awe and contemplation,
To unite with every being as we journey through the light.
Justice is peace

Having spent much of my life listening to trees, birds, the river and the sea, I was very inspired by how Francis describes nature as a book.

Saint Francis… invites us to see nature as a magnificent book in which God speaks to us and grants us a glimpse of his infinite beauty and goodness, the world is a joyful mystery.

Read the pages, God is speaking
Creator speaks in languages of trees
Hear the singing of divinity
The flowers sing of beauty
Read the pages, God is speaking
Creator speaks in languages of trees
The book in which God speaks
Creator writes on pages in the sky and in the sea
Read the pages, God is speaking
The worlds’ a joyful mystery
Nature is singing
The book in which God speaks
Languages of trees

Laudato Si’ explores contradictions and tensions between our words and our actions. The choir proclaims ways Mother Earth sustains us with fruits, flowers, and colors. But soon descending chromatic lines interrupt the songs of praise acknowledging human attempts to dominate each other and more-than-human species.

Changes in climate lead to migration, unraveling
Masking the problems, concealing the symptoms, unraveling
Noise and distraction masking the problems,
Questions of justice unraveling, crumbling

Saint Francis of Assisi reminds us that our common home is like a sister with whom we share our life and a beautiful mother who opens her arms to embrace us. This sister now cries out to us because of the harm we have inflicted on her by our irresponsible use and abuse.

Earth and her inhabitants have been misused and abused. In a call and response duet, two vocalists passionately express the crying of the earth. The choir whispers truths of human inflicted destruction while names of endangered species are being whispered, recorded sounds of those voices (whale, whooping crane, penguin, cheetah) are heard.

Sister cries out, she has been misused
Sister cries out, she has been abused

Destruction, devastation, deforestation
Pollution, production, injustice, corruption
Extinction, rebellion, radiation, desecration
Industry fumes, burning fossil fuels
Pipelines leak, water we can’t drink
Species go extinct

Rhino, cheetah, macaw, whooping crane
Wild fires burn, Ice does not return
Butterfly, penguin, monk seal, dolphin
Pesticides kill bees, plastic in the sea
Drilling, spilling oil, cutting, clearing trees
Sister cries out, sister cries out

The earth was here before us
A gift for us to keep
To share the fruits with those in need
Protect and oversee

Unjustified dominion
Destroys the bond we seek
Respect the laws of nature
Take only what you need

Nature is filled with words of love, but how can we listen to them amid constant noise, interminable and nerve-wracking distractions, or the cult of appearances? Many people today sense a profound imbalance which drives them to frenetic activity and makes them feel busy, in a constant hurry which in turn leads them to ride rough-shod over everything around them. This too affects how they treat the environment. An integral ecology includes taking time to recover a serene harmony with creation, reflecting on our lifestyle and our ideals, and contemplating the Creator who lives among us and surrounds us, whose presence “must not be contrived but found, uncovered.”

God of creation, God of liberation
Help us find strength in tribulation
God of creation, God of liberation
Empower the people, defeat injustice, arise, rise up!
God of creation, God of liberation
You give endurance to stand up to oppression
God of creation, God of liberation
Freedom and justice, you call us to seek, arise! rise up!
God of creation, God of liberation
Sea, wind and sky bring messages from heaven
Lead us to wisdom of all relations
God of creation God of liberation
Teach us to listen to rhythms of the seasons
God of creation, God of liberation
Hearing the cries responding with compassion
God of creation, God of liberation
Painter of sunrise, flocking jubilation
Walking in beauty, collaboration
God of creation, God of liberation
Sounding the call to restore our freedom
God of creation, God of liberation
Renew our lives igniting faith in action
Rise up! Arise!

Continuing the theme of liberation, this movement brings the Cain and Abel story into the present. Asking not only where is your brother, but who is your brother? This movement was composed while protests around the world accelerated with the Black Lives Matter movement and in response to George Floyd’s murder. It is no longer about Cain and Abel, it is about the life-taking systems of oppression impacting this world.

Our very bodies are made up of her elements, we breathe her air and we receive life and refreshment from her waters.

This movement came to me on a winter night while playing the flute by the sea. The wind was whizzing down the chimney, the waves were loud and wild. That moment felt very alive but also very fragile. I was inspired by the idea that the air we breathe is the same air that becomes music through singing or flute playing. We are literally breathing music.

This movement addresses the plight of climate refugees. The strings and flute develop a motif that speeds up and slows down, eventually changing to pizzicato in the strings. Imagine the long dangerous journey on foot, fleeing violence, drought, and starvation. Walking towards hope for a better life over mountains and desert only to find a wall of unwelcome cages and deportation. Who is my brother? Remember, we are all siblings.

What kind of world will we leave?
What is the purpose of our labor and our being?
What is our meaning?
And what does Earth need?
What does it mean to be free?
And when the laws protect the profits not community?
And is it freedom when it leads to suffering?
Because all are not free.
What are the questions for humanity?
We seek direction through our shared responsibility. Listen for the calling,
to hear what Earth needs.

Here I want to recognize, encourage, and thank all those striving in countless ways to guarantee the protection of the home which we share. Particular appreciation is owed to those who tirelessly seek to resolve the tragic effects of environmental degradation on the lives of the world’s poorest.

In gratitude and affirmation
The work of solidarity
The sacrifices taken to heal the suffering
So hate and fear may cease, may cease to be
Who work for justice: root of peace
With tireless devotion build community
Who seek to restore
Resolve the causes of suffering
Rebuild our common home
Reveal the common soul
In gratitude we speak
Proclaiming equity
Faith is turning dreams into deeds
The urgency of healing needs
A dialogue for all to speak till all are free

While composing this movement, sparrows were singing outside my window, reminding me of the gospel hymn His Eye is On the Sparrow, which found its way into the song. (Charles H. Gabriel and Civilla D. Martin, 1905).

Saint Francis… was particularly concerned for God’s creation and for the poor and outcast. He shows us just how inseparable the bond is between concern for nature, justice for the poor, commitment to society, and interior peace. He communed with all creation, even preaching to the flowers.

*Album cover provided for Editorial use only. ©Albany Records. The Albany Imprint is a registered trademark of PARMA Recordings LLC. The views and opinions expressed in this media are those of the artist and do not necessarily represent or reflect the views and opinions held by PARMA Recordings LLC and its label imprints, subsidiaries, and affiliates.